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To Feel the Music: A Songwriter's Mission to Save High-Quality Audio
By Neil Young, Phil Baker. 2019
Neil Young took on the music industry so that fans could hear his music—all music—the way it was meant to…
be heard. Today, most of the music we hear is com-pressed to a fraction of its original sound,while analog masterpieces are turning to dustin record company vaults. As these record-ings disappear, music fans aren’t just losing acollection of notes. We’re losing spaciousness,breadth of the sound field, and the ability tohear and feel a ping of a triangle or a pluckof a guitar string, each with its own reso-nance and harmonics that slowly trail off intosilence. The result is music that is robbed of its original quality—muddy and flat in sound compared to the rich, warm sound artists hear in the studio. It doesn’t have to be this way, but the record and technology companies have incorrectly assumed that most listeners are satisfied with these low-quality tracks. Neil Young is challenging the assault on audio quality—and working to free music lovers from the flat and lifeless status quo. To Feel the Music is the true story of his questto bring high-quality audio back to musiclovers—the most important undertaking ofhis career. It’s an unprecedented look insidethe successes and setbacks of creating thePono player, the fights and negotiationswith record companies to preserve master-pieces for the future, and Neil’s unrelentingdetermination to make musical art availableto everyone. It’s a story that shows how muchmore there is to music than meets the ear. Neil’s efforts to bring quality audio to his fans garnered media attention when his Kickstarter campaign for his Pono player—a revolutionary music player that would combine the highest quality possible with the portability, simplicity and affordability modern listeners crave—became the third-most successful Kickstarter campaign in the website’s history. It had raised more than $6M in pledges in 40 days. Encouraged by the enthusiastic response, Neil still had a long road ahead, and his Pono music player would not have the commercial success he’d imagined. But he remained committed to his mission, and faced with the rise of streaming services that used even lower quality audio, he was determined to rise to the challenge. An eye-opening read for all fans of Neil Young and all fans of great music, as well as readers interesting in going behind the scenes of product creation, To Feel the Music has an inspiring story at its heart: One determined artist with a groundbreaking vision and the absolute refusal to give up, despite setbacks, naysayers, and skeptics.The Beautiful Ones
By Prince. 2019
#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in…
his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic deathNAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.The Way Home
By David A. Neel. 2019
David Neel was an infant when his father, a traditional Kwakiutl artist, returned to the ancestors, triggering a series of…
events that would separate David from his homeland and its rich cultural traditions for twenty-five years. When the aspiring photographer saw a mask carved by an ancestor in a Texas museum, the encounter inspired him to return home and follow in his father’s footsteps. Drawing on memory, legend, and his own art, Neel recounts his struggle to reconnect with his culture and become an accomplished Kwakwa_ka_’wakw artist. His memoir is a testament to the strength of the human spirit to overcome great obstacles and to the power and endurance of Indigenous culture and art.Saga Boy: My Life of Blackness and Becoming
By Antonio Michael Downing. 2021
The triumph of Saga Boy is the triumph of Blackness everywhere--the irrepressible instinct for survival in a world where Blacks…
are prey."--Ian Williams, Giller Prize-winning author of ReproductionAn enthralling, deeply personal account of a young immigrant's search for belonging and Black identity amid the long-lasting effects of cultural dislocation.Antonio Michael Downing's memoir of creativity and transformation is a startling mash-up of memories and mythology, told in gripping, lyrical prose. Raised by his indomitable grandmother in the lush rainforest of southern Trinidad, Downing, at age 11, is uprooted to Canada when she dies. But to a very unusual part of Canada: he and his older brother are sent to live with his stern, evangelical Aunt Joan, in Wabigoon, a tiny northern Ontario community where they are the only Black children in the town. In this wilderness, he begins his journey as an immigrant minority, using music and performance to dramatically transform himself. At the heart of his odyssey is the longing for a home. He is re-united with his birth parents who he has known only through stories. But this proves disappointing: Al is a womanizing con man and drug addict, and Gloria, twice abandoned by Al, seems to regard her sons as cash machines. He tries to flee his messy family life by transforming into a series of extravagant musical personalities: "Mic Dainjah," a punk rock rapper, "Molasses," a soul music crooner and finally "John Orpheus," a gold chained, sequin- and leather-clad pop star. Yet, like his father and grandfather, he has become a "Saga Boy," a Trinidadian playboy, addicted to escapism, attention, and sex. When the inevitable crash happens, he finds himself in a cold, stone jail cell. He has become everything he was trying to escape and must finally face himself. Richly evocative, Saga Boy is a heart-wrenching but uplifting story of a lonely immigrant boy who overcomes adversity and abandonment to reclaim his Black identity and embrace a rich heritage.Anything but a Still Life: The Art and Lives of Molly Lamb and Bruno Bobak
By Nathan Greenfield. 2021
Molly Lamb and Bruno Bobak shot to prominence as war artists during the Second World War. Marrying shortly after the…
end of the war, they moved first to Vancouver and then, in 1960, to Fredericton, where they settled permanently. Molly’s paintings were vibrant and colourful, featuring dynamic crowd scenes and wildflowers that seem to wave on the page. In contrast, Bruno painted near-abstract cityscapes, stunning landscapes, and distorted bodies wracked with inner torment, work that is unique in Canadian art.In this book, acclaimed author Nathan M. Greenfield brings to light the private and public lives of two of the most important figures in 20th century Canadian art. Combining archival research with Molly’s diaries and letters, interviews with friends and contemporaries, and an analysis of paintings by both artists, he develops an intimate portrait of their life and art: their critical acclaim, commercial success, and a turbulent marriage that lasted over fifty years.Clary Croft: My Charmed Life in Music, Art, and Folklore
By Clary Croft. 2021
Folklorist, recording artist, actor, songwriter, broadcaster, storyteller, author, archivist, artisan, and designer: over a career spanning more than fifty years,…
Clary Croft has woven the threads of his vast array of talents into a tapestry that has enveloped the life of an artist, and in the process he’s become a household name in Nova Scotia and beyond.Stompin' Tom Connors: The myth and the man — an unauthorized biography
By Charlie Rhindress. 2019
Flower Diary: In Which Mary Hiester Reid Paints, Travels, Marries & Opens a Door
By Molly Peacock. 2021
Mary fought for a place as a professional artist without having to live as a tragic heroine. She married George…
Reid, Canadian muralist, and while their relationship was more equal than most, this was still the Edwardian age. How do you find time to paint when you need to get to the market to buy a chicken for dinner?Stories I Might Regret Telling You: A Memoir
By Martha Wainwright. 2022
NATIONAL BESTSELLER The singer-songwriter’s heartfelt memoir about growing up in a bohemian musical family and her experiences with love, loss,…
motherhood, divorce, the music industry, and more.Born into music royalty, the daughter of folk legends Kate McGarrigle and Loudon Wainwright III and sister to the highly acclaimed, genre-defying singer Rufus Wainwright, Martha grew up in a world filled with incomparable musical legends—Anna McGarrigle, Leonard Cohen, Suzzy Roche, Richard and Linda Thompson, Emmylou Harris—and struggled to find her voice in a milieu in which every drama was refracted through song. Then, in 2005, she released her critically acclaimed debut album, Martha Wainwright, containing the blistering hit, “Bloody Mother F*cking Asshole,” which the Sunday Times called one of the best songs of that year. That release, and the albums that followed, such as Come Home to Mama and I Know You’re Married But I’ve Got Feelings Too, showcased Martha’s searing songwriting style and established her as a powerful voice to be reckoned with. Martha digs into her life with the same emotional honesty that has come to define her music. She describes her tumultuous public-facing journey from awkward, earnest, and ultimately rebellious daughter, through her intense competition and ultimate alliance with her brother, Rufus, to finding her voice as an artist and the indescribable loss of their mother, Kate. With candor and grace, Martha writes of becoming a mother herself, finally understanding and facing the challenge of being a female artist with children. Stories I Might Regret Telling You is a thoughtful, moving account of the extraordinary life of one of the most talented singer-songwriters in music today.The Dears: Lost in the Plot (Bibliophonic #1)
By Lorraine Carpenter. 2011
Over a decade after the release of their first album, The Dears have weathered the indie fringes, the collapse of…
the music industry as we knew it and the near implosion of the band itself, with their creative vision and gang dynamic intact. The Dears: Lost in the Plot looks at how The Dears survived the fallout, and helped launch the acclaimed mid-aughts music scene in their hometown of Montréal. The Dears: Lost in the Plot is the first book in Invisible Publishing’s new Bibliophonic series. The Bibliophonic Series is a catalogue of the ongoing history of contemporary music. Each book is a time capsule, capturing artists and their work as we see them, providing a unique look at some of today’s most exciting musicians.Dean Worcester’s Fantasy Islands brings to life one of the most significant (but under examined) figures in the history of U.…
S. colonialism in the Philippines. Upon the outbreak of the Spanish-American War, Worcester, a scientist who had traveled twice to the Philippines on zoological expeditions, established himself as one of America’s leading experts on the Philippines. Over a fourteen-year career as a member of the U. S. colonial regime, Worcester devoted much of his time and energy to traveling among and photographing non-Christian minority groups in the Philippines. He amassed an archive of several thousand photographs taken by him or by government photographers. Worcester deployed those photographs in books, magazine articles, and lectures to promote his belief that the United States should maintain control of the Philippines for decades to come. While many historians have examined American colonial photography in the Philippines, this book is the first lengthy treatment of Worcester’s role in shaping American perceptions of the Philippines in the early twentieth century.1000 Songs to Change Your Life
By Time Out Guides. 2008
Like 1,000 Films and 1,000 Books, 1,000 Songs to Change Your Life, the third book in the series, is a…
celebration of music's transformative power: how it shocks and soothes, frightens and comforts, amuses and appalls, but above all how it moves us, perhaps when we least expect it. Over the course of more than 30 essays and features, a hand-picked array of writers, critics and musicians will be exploring the songs that made a difference: to their lives, the lives of others and to music itself. Everyone's life has a soundtrack. What's yours?Desperate Romantics: The Private Lives Of The Pre-raphaelites
By Franny Moyle. 2009
Their Bohemian lifestyle and intertwined love affairs shockingly broke 19th Century class barriers and bent the rules that governed the…
roles of the sexes. They became defined by love triangles, played out against the austere moral climate of Victorian England; they outraged their contemporaries with their loves, jealousies and betrayals, and they stunned society when their complex moral choices led to madness and suicide, or when their permissive experiments ended in addiction and death. The characters are huge and vivid and remain as compelling today as they were in their own time. The influential critic, writer and artist John Ruskin was their father figure and his apostles included the painter Dante Gabriel Rossetti and the designer William Morris. They drew extraordinary women into their circle. In a move intended to raise eyebrows for its social audacity, they recruited the most ravishing models they could find from the gutters of Victorian slums. The saga is brought to life through the vivid letters and diaries kept by the group and the accounts written by their contemporaries. These real-lie stories shed new light on the greatest nineteenth-century British art.Choral Conducting: Philosophy and Practice
By Colin Durrant. 2003
Choral Conducting is a resource for singers, teachers, and choral conductors, and a college-level text for students of choral conducting.…
It also includes an overview of what is involved in leading a choral group and examines theories of learning and human behaviour and the history of choral music together with conductor's role. The book also discusses issues of the conductor-vocalist relationship, the mechanics of singing, rehearsal strategies, and more.Naked at the Albert Hall: The Inside Story of Singing
By Tracey Thorn. 2015
In her bestselling autobiography Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a thirty-year career in pop…
music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage-fright. Part memoir, part wide-ranging exploration of the art, mechanics and spellbinding power of singing, Naked at the Albert Hall takes in Dusty Springfield, Dennis Potter and George Eliot; Auto-tune, the microphone and stage presence; The Streets and The X Factor. Including interviews with fellow artists such as Alison Moyet, Romy Madley-Croft and Green Gartside of Scritti Politti, and portraits of singers in fiction as well as Tracey's real-life experiences, it offers a unique, witty and sharply observed insider's perspective on the exhilarating joy and occasional heartache of singing.Culturally Responsive Teaching in Music Education: From Understanding to Application
By Vicki R. Lind, Constance McKoy. 2016
Culturally Responsive Teaching in Music Education presents teaching methods that are responsive to how different culturally specific knowledge bases impact…
learning. It is a pedagogy that recognizes the importance of including students’ cultural references in all aspects of learning. Designed to be a supplementary resource for teachers of undergraduate and graduate music education courses, the book provides examples in the context of music education, with theories presented in Section I and a review of teaching applications in Section II. Culturally Responsive Teaching in Music Education is an effort to answer the question: How can I teach music to my students in a way that is culturally responsive? This book serves several purposes, by: • Offering theoretical/philosophical frameworks of social justice • Providing practical examples of transferring theory into practice in music education • Illustrating culturally responsive pedagogy within the classroom • Demonstrating the connection of culturally responsive teaching to the school and larger communityA Brief Introduction to A Philosophy of Music and Music Education as Social Praxis
By Thomas A. Regelski. 2016
Music and Music Education as Social Praxis is a brief introduction to a praxial theory of music education, defined by…
author. It is grounded in an interdisciplinary approach, for undergraduate and graduate students in music education. Drawing upon scholarship from a range of disciplines, including philosophy and sociology, the book emphasizes and highlights thinking of music as an active social practice and offers an alternative to existing approaches to music education. This text advocates for an alternative approach to teaching music, rooted in the social practice of music, and will supplement Foundations or Methods courses in the Music Education curriculum.S.T.P: A Journey Through America with the Rolling Stones
By Robert Greenfield. 2002
Don't Stop Believin': How Karaoke Conquered the World and Changed My Life
By Brian Raftery. 2008
Armed with a keen eye and a terrible singing voice, writer Brian Raftery sets out across the globe, tracing karaoke's…
evolution from cult fad to multi-million dollar phenomenon. In Japan, he meets Daisuke Inoue, the godfather of karaoke; in Thailand, he follows a group of Americans hoping to win the Karaoke World Championships; and in New York City, he hangs out backstage with the world's longest-running heavy-metal karaoke band. Along the way, Raftery chronicles his own time as an obsessive karaoke fan, recalling a life's worth of noisy relationships and poor song choices, and analyzing the karaoke-bar merits of such artists as Prince, Bob Dylan and Fugazi. Part cultural history, part memoir, Don't Stop Believin': How Karaoke Conquered the World and Changed My Life is a hilarious and densely reported look at the liberating effects of a good sing-along.The Hip Hop Wars: What We Talk About When We Talk About Hip Hop--and Why It Matters
By Tricia Rose. 2008
Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures…
of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States.In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement?A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide.