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Исчезнувшие Цивилизации: Десять Культур, Пропавших Без Следа
By Michael Rank, Simeon Leyzerzon. 2015
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Folklore, fables and fairy talesHistory
Автор известного бестселлера "Великие Генералы Истории" представляет свою новую работу о бесследно исчезнувших великих культурах древности, и о том как…
они преследуют нас и сегодня. От погибшей Атлантиды Платона, высокотехнологической утопии, поглощённой океаном всего за один скорбный день и американской колонии Роанок, чьих жителей поглотили дикие леса неосвоенного континента, до древних исследователей Америки, прибывших на континент за две тысячи лет до Колумба - исчезновение этих обществ загадочны и неправдоподобны. В книге описаны десять цивилизаций, когда то существовавших, а сейчас полностью исчезнувших. Некоторые из них на века опередили соседей в развитии, другие оставили для нас неразрешимые тайны. Книга предлагает версии различных гипотез о том, как культуры, длившиеся веками, могут бесследно изчезнуть, а также и полезные уроки, которые мы, современные жители планеты земля, можем из этих исчезновений для себя извлечь.打破世代诅咒:自由
By 加布里埃尔·阿博. 2019
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History, Religion
这本书将使你认知到我们的一切行动将对我们和我们的子孙后代所造成的后果,甚至那些尚未出生的孩子。诅咒这个主题长期以来一直被忽视,我们发现有必要在这里揭露它。我们从研读圣经开始,确切地了解上帝对诅咒是怎么说的,它们是如何运作的,以及我们如何才能完全摆脱诅咒。世代相传的诅咒是如此重要,以至于上帝将它们列在十诫的表上。 许多人被敌人用看不见的、无法辨认的奴役工具所束缚。在这项研究中,我们将学习如何打破这些源自敌人的锁链。我们更深入地探索了偶像崇拜(包括万圣节),不道德,背叛,偷窃,谋杀等领域。 我相信,当你阅读这本书并探索其中的真理时,你会振奋地审视自己,并为过一种圣洁的生活而作出深思熟虑的努力,即使不是为了你自己,至少也是为了你的孩子和尚未出生的后代。 愿上帝保佑你,当你继续读下去的时候,我请求你以一颗开放的心和开放的思想去阅读它,这样你的理解就会更加敏锐,更加了解你周围真正的一切事物。
Short Stories in Japanese: New Penguin Parallel Text (Penguin Parallel Text)
By Edited by Michael Emmerich. 2011
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General non-fiction, Anthologies, Criticism
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A dual-language edition of Japanese stories—many appearing in English for the first time This volume of eight short stories, with…
parallel translations, offers students at all levels the opportunity to enjoy a wide range of contemporary literature without having constantly to refer back to a dictionary. The stories—many of which appear here in English for the first time—are by well-known writers like Haruki Murakami and Banana Yoshimoto, as well as emerging voices like Abe Kazushige, Ishii Shinji, and Kawakami Hiromi. From the orthodox to the cutting-edge, they represent a range of styles and themes, showcasing the diversity of Japanese fiction over the past few decades in a collection that is equally rewarding for beginning, intermediate, and advanced students of English or Japanese. Complete with notes, the stories make excellent reading in either language.Yosano Akiko and The Tale of Genji (Michigan Monograph Series in Japanese Studies #28)
By Gaye Rowley, G. G. Rowley. 2000
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Criticism, Customs and cultures, General non-fiction
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Yosano Akiko (1878–1942) has long been recognized as one of the most important literary figures of prewar Japan. Her renown…
derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This emphasis obscures a major part of her career, which was devoted to work on the Japanese classics and, in particular, the great Heian period text The Tale of Genji. Akiko herself felt that Genji was the bedrock upon which her entire literary career was built, and her bibliography shows a steadily increasing amount of time devoted to projects related to the tale. This study traces for the first time the full range of Akiko’s involvement with The Tale of Genji. The Tale of Genji provided Akiko with her conception of herself as a writer and inspired many of her most significant literary projects. She, in turn, refurbished the tale as a modern novel, pioneered some of the most promising avenues of modern academic research on Genji, and, to a great extent, gave the text the prominence it now enjoys as a translated classic. Through Akiko’s work Genji became, in fact as well as in name, an exemplum of that most modern of literary genres, the novel. In delineating this important aspect of Akiko’s life and her bibliography, this study aims to show that facile descriptions of Akiko as a “poetess of passion” or “new woman” will no longer suffice.