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To Feel the Music: A Songwriter's Mission to Save High-Quality Audio
By Neil Young, Phil Baker. 2019
Neil Young took on the music industry so that fans could hear his music—all music—the way it was meant to…
be heard. Today, most of the music we hear is com-pressed to a fraction of its original sound,while analog masterpieces are turning to dustin record company vaults. As these record-ings disappear, music fans aren’t just losing acollection of notes. We’re losing spaciousness,breadth of the sound field, and the ability tohear and feel a ping of a triangle or a pluckof a guitar string, each with its own reso-nance and harmonics that slowly trail off intosilence. The result is music that is robbed of its original quality—muddy and flat in sound compared to the rich, warm sound artists hear in the studio. It doesn’t have to be this way, but the record and technology companies have incorrectly assumed that most listeners are satisfied with these low-quality tracks. Neil Young is challenging the assault on audio quality—and working to free music lovers from the flat and lifeless status quo. To Feel the Music is the true story of his questto bring high-quality audio back to musiclovers—the most important undertaking ofhis career. It’s an unprecedented look insidethe successes and setbacks of creating thePono player, the fights and negotiationswith record companies to preserve master-pieces for the future, and Neil’s unrelentingdetermination to make musical art availableto everyone. It’s a story that shows how muchmore there is to music than meets the ear. Neil’s efforts to bring quality audio to his fans garnered media attention when his Kickstarter campaign for his Pono player—a revolutionary music player that would combine the highest quality possible with the portability, simplicity and affordability modern listeners crave—became the third-most successful Kickstarter campaign in the website’s history. It had raised more than $6M in pledges in 40 days. Encouraged by the enthusiastic response, Neil still had a long road ahead, and his Pono music player would not have the commercial success he’d imagined. But he remained committed to his mission, and faced with the rise of streaming services that used even lower quality audio, he was determined to rise to the challenge. An eye-opening read for all fans of Neil Young and all fans of great music, as well as readers interesting in going behind the scenes of product creation, To Feel the Music has an inspiring story at its heart: One determined artist with a groundbreaking vision and the absolute refusal to give up, despite setbacks, naysayers, and skeptics.The Beautiful Ones
By Prince. 2019
#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in…
his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic deathNAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.Clary Croft: My Charmed Life in Music, Art, and Folklore
By Clary Croft. 2021
Folklorist, recording artist, actor, songwriter, broadcaster, storyteller, author, archivist, artisan, and designer: over a career spanning more than fifty years,…
Clary Croft has woven the threads of his vast array of talents into a tapestry that has enveloped the life of an artist, and in the process he’s become a household name in Nova Scotia and beyond.Stompin' Tom Connors: The myth and the man — an unauthorized biography
By Charlie Rhindress. 2019
Stories I Might Regret Telling You: A Memoir
By Martha Wainwright. 2022
NATIONAL BESTSELLER The singer-songwriter’s heartfelt memoir about growing up in a bohemian musical family and her experiences with love, loss,…
motherhood, divorce, the music industry, and more.Born into music royalty, the daughter of folk legends Kate McGarrigle and Loudon Wainwright III and sister to the highly acclaimed, genre-defying singer Rufus Wainwright, Martha grew up in a world filled with incomparable musical legends—Anna McGarrigle, Leonard Cohen, Suzzy Roche, Richard and Linda Thompson, Emmylou Harris—and struggled to find her voice in a milieu in which every drama was refracted through song. Then, in 2005, she released her critically acclaimed debut album, Martha Wainwright, containing the blistering hit, “Bloody Mother F*cking Asshole,” which the Sunday Times called one of the best songs of that year. That release, and the albums that followed, such as Come Home to Mama and I Know You’re Married But I’ve Got Feelings Too, showcased Martha’s searing songwriting style and established her as a powerful voice to be reckoned with. Martha digs into her life with the same emotional honesty that has come to define her music. She describes her tumultuous public-facing journey from awkward, earnest, and ultimately rebellious daughter, through her intense competition and ultimate alliance with her brother, Rufus, to finding her voice as an artist and the indescribable loss of their mother, Kate. With candor and grace, Martha writes of becoming a mother herself, finally understanding and facing the challenge of being a female artist with children. Stories I Might Regret Telling You is a thoughtful, moving account of the extraordinary life of one of the most talented singer-songwriters in music today.Who By Fire: War, Atonement, and the Resurrection of Leonard Cohen
By Matti Friedman. 2022
The incredible never-before-told story of Leonard Cohen's 1973 tour of Israel during the Yom Kippur War. "Who by Fire is…
a stunning resurrection of a moment in the life of Leonard Cohen and the history of Israel. It’s the story of a young artist in crisis and a young country at war, and the powerful resonance of the chord struck between them. A beautiful, haunting book full of feeling." —Nicole Krauss, author of To Be a Man In October, 1973, the poet and singer Leonard Cohen – 39 years old, famous, unhappy, and at a creative dead end – traveled to the Sinai desert and inserted himself into the chaos and bloodshed of the Yom Kippur War. Moving around the front with a guitar and a pick-up team of local musicians, Cohen dived headlong into the midst of a global crisis and met hundreds of fighting men and women at the worst moment of their lives. His audiences heard him knowing it might be the last thing they heard, and those who survived never forgot what they heard. Cohen’s war tour was an electric cultural moment, one that still echoes today, and one that inspired some of his greatest songs – but a moment that only few knew about, until now. In Who By Fire, Canadian-Israeli journalist Matti Friedman gives us a riveting account of what happened during those weeks in Israel in October, 1973. With access to amazing and never-before-seen material written by Cohen himself, along with dozens of interviews and rare photographs, Friedman revives this fraught and stunning time, presenting an intimate and unforgettable portrait of the artist, and of the young people who heard him sing in the midst of combat. Who By Fire brings us close to one the greatest, most brilliant and charismatic voices of our times, and gives us a rare glimpse of war, faith, and belonging.The Dears: Lost in the Plot (Bibliophonic #1)
By Lorraine Carpenter. 2011
Over a decade after the release of their first album, The Dears have weathered the indie fringes, the collapse of…
the music industry as we knew it and the near implosion of the band itself, with their creative vision and gang dynamic intact. The Dears: Lost in the Plot looks at how The Dears survived the fallout, and helped launch the acclaimed mid-aughts music scene in their hometown of Montréal. The Dears: Lost in the Plot is the first book in Invisible Publishing’s new Bibliophonic series. The Bibliophonic Series is a catalogue of the ongoing history of contemporary music. Each book is a time capsule, capturing artists and their work as we see them, providing a unique look at some of today’s most exciting musicians.Nineteenth-Century Jewish Literature: A Reader
By Jonathan M Hess, Maurice Samuels, Nadia Valman. 2013
Recent scholarship has brought to light the existence of a dynamic world of specifically Jewish forms of literature in the…
nineteenth century—fiction by Jews, about Jews, and often designed largely for Jews. This volume makes this material accessible to English speakers for the first time, offering a selection of Jewish fiction from France, Great Britain, and the German-speaking world. The stories are remarkably varied, ranging from historical fiction to sentimental romance, to social satire, but they all engage with key dilemmas including assimilation, national allegiance, and the position of women. Offering unique insights into the hopes and fears of Jews experiencing the dramatic impact of modernity, the literature collected in this book will provide compelling reading for all those interested in modern Jewish history and culture, whether general readers, students, or scholars.American Post-Judaism, Revised Edition
By Shaul Magid. 2013
How do American Jews identify as both Jewish and American? American Post-Judaism argues that Zionism and the Holocaust, two anchors…
of contempoary American Jewish identity, will no longer be centers of identity formation for future generations of American Jews. Shaul Magid articulates a new, post-ethnic American Jewishness. He discusses pragmatism and spirituality, monotheism and post-monotheism, Jesus, Jewish law, sainthood and self-realization, and the meaning of the Holocaust for those who have never known survivors. Magid presents Jewish Renewal as a movement that takes this radical cultural transition seriously in its strivings for a new era in Jewish thought and practice.1000 Songs to Change Your Life
By Time Out Guides. 2008
Like 1,000 Films and 1,000 Books, 1,000 Songs to Change Your Life, the third book in the series, is a…
celebration of music's transformative power: how it shocks and soothes, frightens and comforts, amuses and appalls, but above all how it moves us, perhaps when we least expect it. Over the course of more than 30 essays and features, a hand-picked array of writers, critics and musicians will be exploring the songs that made a difference: to their lives, the lives of others and to music itself. Everyone's life has a soundtrack. What's yours?Early Christian Monastic Literature and the Babylonian Talmud
By Michal Bar-Asher Siegal. 2013
This book examines literary analogies in Christian and Jewish sources, culminating in an in-depth analysis of striking parallels and connections…
between Christian monastic texts (the Apophthegmata Patrum or 'The Sayings of the Desert Fathers') and Babylonian Talmudic traditions. The importance of the monastic movement in the Persian Empire, during the time of the composition and redaction of the Babylonian Talmud, fostered a literary connection between the two religious populations. The shared literary elements in the literatures of these two elite religious communities sheds new light on the surprisingly inclusive nature of the Talmudic corpora and on the non-polemical nature of elite Jewish-Christian literary relations in late antique Persia.Choral Conducting: Philosophy and Practice
By Colin Durrant. 2003
Choral Conducting is a resource for singers, teachers, and choral conductors, and a college-level text for students of choral conducting.…
It also includes an overview of what is involved in leading a choral group and examines theories of learning and human behaviour and the history of choral music together with conductor's role. The book also discusses issues of the conductor-vocalist relationship, the mechanics of singing, rehearsal strategies, and more.Interpreting Scriptures in Judaism, Christianity and Islam
By Rita Copeland, Jon Whitman, Cohen, Mordechai Z. and Bar-Asher, Meir M. and Copeland, Rita and Berlin, Adele Whitman, Jon, Mordechai Z. Cohen, Adele Berlin, Bar-Asher, Meir M.. 2016
This comparative study traces Jewish, Christian, and Muslim scriptural interpretation from antiquity to modernity, with special emphasis on the pivotal…
medieval period. It focuses on three areas: responses in the different faith traditions to tensions created by the need to transplant scriptures into new cultural and linguistic contexts; changing conceptions of the literal sense and its importance vis-à-vis non-literal senses, such as the figurative, spiritual, and midrashic; and ways in which classical rhetoric and poetics informed - or were resisted in - interpretation. Concentrating on points of intersection, the authors bring to light previously hidden aspects of methods and approaches in Judaism, Christianity, and Islam. This volume opens new avenues for interdisciplinary analysis and will benefit scholars and students of biblical studies, religious studies, medieval studies, Islamic studies, Jewish studies, comparative religions, and theory of interpretation.Yentl's Revenge: The Next Wave of Jewish Feminism
By Danya Ruttenberg. 2001
A diverse group of young women--from witches to rabbis--explore the new Judaism. Contributors ponder Jewish transgenderdom, Jewish body image, Jewish…
punk, the stereotype of the Jewish American Princess, intermarriage, circumcision, faith, and intolerance.What Is a Jew?
By Morris N. Kertzer, Lawrence A. Hoffman. 1993
This work is geared towards those with little to no background in Judaism. It covers many topics and is written…
largely from a Reform perspective, though it does give some information about the beliefs of those who are more observant. Definitely a good place to begin.Naked at the Albert Hall: The Inside Story of Singing
By Tracey Thorn. 2015
In her bestselling autobiography Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a thirty-year career in pop…
music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage-fright. Part memoir, part wide-ranging exploration of the art, mechanics and spellbinding power of singing, Naked at the Albert Hall takes in Dusty Springfield, Dennis Potter and George Eliot; Auto-tune, the microphone and stage presence; The Streets and The X Factor. Including interviews with fellow artists such as Alison Moyet, Romy Madley-Croft and Green Gartside of Scritti Politti, and portraits of singers in fiction as well as Tracey's real-life experiences, it offers a unique, witty and sharply observed insider's perspective on the exhilarating joy and occasional heartache of singing.Culturally Responsive Teaching in Music Education: From Understanding to Application
By Vicki R. Lind, Constance McKoy. 2016
Culturally Responsive Teaching in Music Education presents teaching methods that are responsive to how different culturally specific knowledge bases impact…
learning. It is a pedagogy that recognizes the importance of including students’ cultural references in all aspects of learning. Designed to be a supplementary resource for teachers of undergraduate and graduate music education courses, the book provides examples in the context of music education, with theories presented in Section I and a review of teaching applications in Section II. Culturally Responsive Teaching in Music Education is an effort to answer the question: How can I teach music to my students in a way that is culturally responsive? This book serves several purposes, by: • Offering theoretical/philosophical frameworks of social justice • Providing practical examples of transferring theory into practice in music education • Illustrating culturally responsive pedagogy within the classroom • Demonstrating the connection of culturally responsive teaching to the school and larger communityA Brief Introduction to A Philosophy of Music and Music Education as Social Praxis
By Thomas A. Regelski. 2016
Music and Music Education as Social Praxis is a brief introduction to a praxial theory of music education, defined by…
author. It is grounded in an interdisciplinary approach, for undergraduate and graduate students in music education. Drawing upon scholarship from a range of disciplines, including philosophy and sociology, the book emphasizes and highlights thinking of music as an active social practice and offers an alternative to existing approaches to music education. This text advocates for an alternative approach to teaching music, rooted in the social practice of music, and will supplement Foundations or Methods courses in the Music Education curriculum.S.T.P: A Journey Through America with the Rolling Stones
By Robert Greenfield. 2002
Don't Stop Believin': How Karaoke Conquered the World and Changed My Life
By Brian Raftery. 2008
Armed with a keen eye and a terrible singing voice, writer Brian Raftery sets out across the globe, tracing karaoke's…
evolution from cult fad to multi-million dollar phenomenon. In Japan, he meets Daisuke Inoue, the godfather of karaoke; in Thailand, he follows a group of Americans hoping to win the Karaoke World Championships; and in New York City, he hangs out backstage with the world's longest-running heavy-metal karaoke band. Along the way, Raftery chronicles his own time as an obsessive karaoke fan, recalling a life's worth of noisy relationships and poor song choices, and analyzing the karaoke-bar merits of such artists as Prince, Bob Dylan and Fugazi. Part cultural history, part memoir, Don't Stop Believin': How Karaoke Conquered the World and Changed My Life is a hilarious and densely reported look at the liberating effects of a good sing-along.