Title search results
Showing 10281 - 10300 of 28029 items
The Van Cliburn Legend
By Abram Chasins. 2020
Friend of Van Cliburn, pianist, composer, and radio executive Abram Chasins describes Cliburn's music career leading up to his win…
at the 1958 Tchaikovsky Competition, which made him world famous, and the year of concerts and performances which followed.—Goodreads.At the beginning of the twelfth century, the region around Paris had a reputation for being the land of unruly…
aristocrats. Entrenched within their castles, the nobles were viewed as quarrelling among themselves, terrorizing the countryside, harassing churchmen and peasants, pillaging, and committing unspeakable atrocities. By the end of the century, during the reign of Philip Augustus, the situation was dramatically different. The king had created the principal governmental organs of the Capetian monarchy and replaced the feudal magnates at the royal court with loyal men of lesser rank. The major castles had been subdued and peace reigned throughout the countryside. The aristocratic families remain the same, but no longer brigands, they had now been recruited for royal service.In his final book, the distinguished historian John Baldwin turned to church charters, royal inventories of fiefs and vassals, aristocratic seals and documents, vernacular texts, and archaeological evidence to create a detailed picture of the transformation of aristocratic life in the areas around Paris during the four decades of Philip Augustus's reign. Working outward from the reconstructed biographies of seventy-five individuals from thirty-three noble families, Baldwin offers a rich description of their domestic lives, their horses and war gear, their tourneys and crusades, their romantic fantasies, and their penances and apprehensions about final judgment.Knights, Lords, and Ladies argues that the aristocrats who inhabited the region of Paris over the turn of the twelfth century were important not only because they contributed to Philip Augustus's increase of royal power and to the wealth of churches and monasteries, but also for their own establishment as an elite and powerful social class.AP® European History Crash Course, For the New 2020 Exam, Book + Online: Get a Higher Score in Less Time (Advanced Placement (AP) Crash Course)
By Larry Krieger, Patti Harrold. 2020
For the New 2020 Exam!AP® European History Crash Course®A Higher Score in Less Time! At REA, we invented the quick-review…
study guide for AP® exams. A decade later, REA’s Crash Course® remains the top choice for AP® students who want to make the most of their study time and earn a high score. Here’s why more AP® teachers and students turn to REA’s AP® European History Crash Course®:Targeted Review - Study Only What You Need to Know. REA’s all-new 3rd edition addresses all the latest test revisions taking effect through 2020. Our Crash Course® is based on an in-depth analysis of the revised AP® European History course description outline and sample AP® test questions. We cover only the information tested on the exam, so you can make the most of your valuable study time.Expert Test-taking Strategies and Advice. Written by a veteran AP®European History teacher, the book gives you the topics and critical context that will matter most on exam day. Crash Course® relies on the author’s extensive analysis of the test’s structure and content. By following his advice, you can boost your score.Practice questions – a mini-test in the book, a full-length exam online. Are you ready for your exam? Try our focused practice set inside the book. Then go online to take our full-length practice exam. You’ll get the benefits of timed testing, detailed answers, and automatic scoring that pinpoints your performance based on the official AP® exam topics – so you'll be confident on test day.When it's crucial crunch time and your Advanced Placement® exam is just around the corner, you need REA's Crash Course® for AP® European History! About the AuthorLarry Krieger earned his B.A. and M.A.T. from the University of North Carolina at Chapel Hill and his M.A. from Wake Forest University. In a career spanning more than 40 years, Mr. Krieger has taught a variety of AP® subjects including U.S. History, World History, European History, U.S. Government, and Art History. His popular courses were renowned for their energetic presentations, commitment to scholarship, and success in helping students achieve high AP® exam scores. All of Mr. Krieger’s students scored above a 3, with most students scoring a 4 or a 5. In 2004 and 2005, the College Board recognized Mr. Krieger as one of the nation’s foremost AP® teachers. Mr. Krieger’s success has extended far beyond the classroom. He conducts SAT® and AP® workshops around the country, and has spoken at numerous Social Studies conferences. In addition, he is the author of several widely used American History and World History textbooks, as well as REA’s Crash Course® test preps for European History, U.S. History, U.S. Government & Politics, and Psychology.Rhythms of Revolt: European Traditions And Memories Of Social Conflict In Oral Culture
By David Hopkin, Éva Guillorel, William G. Pooley. 2018
The culture of insurgents in early modern Europe was primarily an oral one; memories of social conflicts in the communities…
affected were passed on through oral forms such as songs and legends. This popular history continued to influence political choices and actions through and after the early modern period. The chapters in this book examine numerous examples from across Europe of how memories of revolt were perpetuated in oral cultures, and they analyse how traditions were used. From the German Peasants’ War of 1525 to the counter-revolutionary guerrillas of the 1790s, oral traditions can offer radically different interpretations of familiar events. This is a ‘history from below’, and a history from song, which challenges existing historiographies of early modern revolts.Mapping the Motet in the Post-Tridentine Era
By Esperanza Rodríguez-García, Daniele V. Filippi. 2018
Mapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets…
produced and performed in the decades following the end of the Council of Trent in 1563. Beyond the genre’s rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).Notenlesen für Dummies Das Pocketbuch (Für Dummies)
By Michael Pilhofer, Holly Day, Oliver Fehn. 2016
Spielen Sie mit dem Gedanken, ein Instrument zu erlernen? Oder sind Sie schon seit Jahren passionierter Gitarrist, der wunderbar nach…
Tabulaturen spielt, bei Notenblättern jedoch kapituliert? In jedem Fall werden Sie Ihr musikalisches Potenzial enorm erhöhen, wenn Sie die Sprache der Musik beherrschen. Dieses Buch erklärt Ihnen leicht verständlich, was es mit Noten- und Pausenwerten auf sich hat, welche anderen Symbole wichtig sind und was Sie über Rhythmus und Co. wissen müssen. Die neue Auflage wurde um praktische Übungen erweitert.Hailed upon its publication as "history at its finest" by H. Larry Ingle and called "the essential foundation to explore…
early Quaker history" by Sixteenth Century Journal, Rosemary Moore’s The Light in Their Consciences is the most comprehensive, readable history of the first decades of the life and thought of The Society of Friends. This twentieth anniversary edition of Moore’s pathbreaking work reintroduces the book to a new generation of readers.Drawing on an innovative computer-based analysis of primary sources and Quaker and anti-Quaker literature, Moore provides compelling portraits of George Fox, James Nayler, Margaret Fell, and other leading figures; relates how the early Friends lived and worshipped; and traces the path this radical group followed as it began its development into a denomination. In doing so, she makes clear the origins and evolution of Quaker faith, details how they overcame differences in doctrinal interpretation and religious practice, and delves deeply into clashes between and among leaders and lay practitioners. Thoroughly researched, felicitously written, and featuring a new introduction, updated sources, and an enlightening outline of Moore’s research methodology, this edition of The Light in Their Consciences belongs in the collection of everyone interested in or studying Quaker history and the era in which the movement originated.Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna’s "female Secession"…
created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between "art" and "craft," "decorative" and "profound," and "masculine" and "feminine" in art.Tracing the history of the women’s art movement in Secessionist Vienna—from its origins in 1897, at the Women’s Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst—Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women’s art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria’s women’s art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group’s ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel. Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as "works from women’s hands." It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history.Truth in Many Tongues examines how the Spanish monarchy managed an empire of unprecedented linguistic diversity. Considering policies and strategies…
exerted within the Iberian Peninsula and the New World during the sixteenth century, this book challenges the assumption that the pervasiveness of the Spanish language resulted from deliberate linguistic colonization.Daniel I. Wasserman-Soler investigates the subtle and surprising ways that Spanish monarchs and churchmen thought about language. Drawing from inquisition reports and letters; royal and ecclesiastical correspondence; records of church assemblies, councils, and synods; and printed books in a variety of genres and languages, he shows that Church and Crown officials had no single, unified policy either for Castilian or for other languages. They restricted Arabic in some contexts but not in others. They advocated using Amerindian languages, though not in all cases. And they thought about language in ways that modern categories cannot explain: they were neither liberal nor conservative, neither tolerant nor intolerant. In fact, Wasserman-Soler argues, they did not think predominantly in terms of accommodation or assimilation, categories that are common in contemporary scholarship on religious missions. Rather, their actions reveal a highly practical mentality, as they considered each context carefully before deciding what would bring more souls into the Catholic Church.Based upon original sources from more than thirty libraries and archives in Spain, Italy, the United States, England, and Mexico, Truth in Many Tongues will fascinate students and scholars who specialize in early modern Spain, colonial Latin America, Christian-Muslim relations, and early modern Catholicism.The question of whether true friendship could exist in an era of patronage occupied Renaissance Florentines as it had the…
ancient Greeks and Romans whose culture they admired and emulated. Rather than attempting to measure Renaissance friendship against a universal ideal defined by essentially modern notions of disinterestedness, intimacy, and sincerity, in this book Dale Kent explores the meaning of love and friendship as they were represented in the fifteenth century, particularly the relationship between heavenly and human friendship. She documents the elements of shared experience in friendships between Florentines of various occupations and ranks, observing how these were shaped and played out in the physical spaces of the city: the streets, street corners, outdoor benches and loggias, family palaces, churches, confraternal meeting places, workshops of artisans and artists, taverns, dinner tables, and the baptismal font. Finally, Kent examines the betrayal of trust, focusing on friends at moments of crisis or trial in which friendships were tested, and failed or endured. The exile of Cosimo de’ Medici in 1433 and his recall in 1434, the attempt in 1466 of the Medici family’s closest friends to take over their patronage network, and the Pazzi conspiracy to assassinate Lorenzo and Giuliano de’ Medici in 1478 expose the complexity and ambivalence of Florentine friendship, a combination of patronage with mutual intellectual passion and love—erotic, platonic, and Christian—sublimely expressed in the poetry and art of Michelangelo.Playing for Keeps: Improvisation in the Aftermath (Improvisation, Community, and Social Practice)
By Eric Porter, Daniel Fischlin. 2020
The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating…
violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world.Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie VosKwaito Bodies: Remastering Space and Subjectivity in Post-Apartheid South Africa
By Xavier Livermon. 2020
In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance,…
representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa.Spray Paint the Walls: The Story of Black Flag
By Stevie Chick. 2011
Black Flag were the pioneers of American Hardcore, and this is their blood-spattered story. Formed in Hermosa Beach, California, in…
1978, they made and played brilliant, ugly, no-holds-barred music for eight brutal years on a self-appointed touring circuit of America's clubs, squats, and community halls. They fought with everybody—the police, the record industry, and even their own fans—and they toured overseas on pennies a day in beat-up trucks and vans. This history tells Black Flag's story from the inside, drawing on exclusive interviews with the group's members, their contemporaries, and the bands they inspired. It depicts the rise of Henry Rollins, the iconic front man, and Greg Ginn, who turned his electronics company into one of the world's most influential independent record labels while leading Black Flag from punk's three-chord frenzy into heavy metal and free jazz.A Mix of Bricks & Valentines: Lyrics 1979–2009
By G. W. Sok. 2011
A showcase of the lyrics that G. W. Sok wrote during the three decades that he was with the band…
The Ex, this musical compendium features more than 250 pieces: a mixture of lyrics, poetry, and political ranting. The Ex is an internationally acclaimed Dutch group that blurred the lines between indie, punk, and underground music. Fans of this influential band will gain insight into the meaning behind their provocative songs and find inspiration in these outspoken and thought-provoking words. An introduction by Sok that describes the process of writing lyrics and his development as a writer is also included.The Primal Screamer
By Nick Blinko. 2011
A gothic horror novel about severe mental distress and punk rock, this narrative is written in the form of a…
diary kept by a psychiatrist, Dr. Rodney H. Dweller, concerning his patient, Nathaniel Snoxell, brought to him in 1979 because of several attempted suicides. Snoxell gets involved in the anarchist punk scene, and begins recording songs and playing gigs at anarchist centers. In 1985, the good doctor himself "goes insane" and disappears. This semi-autobiographical novel from Rudimentary Peni singer, guitarist, lyricist, and illustrator, Nick Blinko, plunges into the worlds of madness, suicide, and anarchist punk. H. P. Lovecraft meets Crass in the squats and psychiatric institutions of early 1980s England. This new edition collects Blinko's long-sought-after artwork from the three previous incarnations.Barred for Life: How Black Flag's Iconic Logo Became Punk Rock's Secret Handshake
By Stewart Dean Ebersole. 2012
Cataloging the legacy of the American punk rock pioneers Black Flag, this photo documentary uses stark, contrasting portraits to share…
the stories of the die-hard fans who wear the iconic four-barred logo tattooed on their skin. From doctors to homeless punks, stories range from the intensely personal to the absurd as each larger-than-life soul mugs for the camera. Adding to the idea that mixed messages can come from one unifying design, each image is highlighted with a personal quotation, a name and bio, and a Black Flag favorites list. Captured during an extensive tour through the United States, Canada, and Western Europe, this collection serves as a visual testimony to the hyper-distilled mythology that the band is more prevalent now than when it was in service, and serves as a soundtrack for those living as self-imposed cultural outsiders. Interviews with former members of the band, tattoo artists, photographers, and other relevant luminaries round out this ethnography and serve to spotlight Black Flag's vicious live performances, forward-thinking work ethic, and indisputable reputation for acting as both champions and destroyers of the punk rock culture that they helped create.Pistoleros!: Volume 1: 1918
By Farquhar McHarg. 2011
In Farquhar McHarg's autobiography, a young boy from Glasgow finds himself in the middle of Barcelona's revolutionary underworld at the…
tail end of World War I. Volume One chronicles McHarg's liaisons between the British Secret Service Bureau and the Spanish anarchists. McHarg tells of a corrupt Spanish regime bent on crushing a rebellious working class and the generous and recklessly idealistic men and women who struggled to transform it after rejecting traditional party politics. When a lifelong friend and fellow anarchist was gunned down, McHarg raced to write this epic history before he too could be silenced. This unique, first-person account of revolutionary activities in 20th-century Europe gives rare perspective and insight into modern revolutionary history.A careful chronicle of political change and hope in 1930s Spain, this staggering work examines how the Confederación Nacional del…
Trabajo (CNT), rose up against the oppressive structures of Spanish society. Documenting a history of revolution that failed at the hands of its enemies on both the reformist left and reactionary right, this intelligent account covers all areas of the anarchist experience—from the spontaneous militias and the revolutionary collectives to the moral dilemmas occasioned by the clash of revolutionary ideals and the stark reality of the war effort. Passionately written and carefully indexed, this edition is the only in-depth English-language text available and converts the work into a usable tool for historians and anarchists alike.Don't Mourn, Balkanize!: Essays After Yugoslavia
By Roxanne Dunbar-Ortiz, Andrej Grubacic. 2010
Presenting a radical leftist perspective on the recent history of the Balkan region, this collection of essays, commentaries, and interviews…
argues that the dismantling of Yugoslavia is just another milestone in the long history of colonialism, conquest, and interventionism. Written between 2002 and 2010, this volume addresses significant happenings such as the trial of Slobodan Milosevic, the assassination of Prime Minister Djindjic, the supervised "independence" of Kosovo, and the occupation of Bosnia. In addition to this contemporary look, this exploration reveals the politically progressive traditions of the Balkan peoples as evidenced by their anti-Ottoman, anticrusade, and antifascist actions in addition to their embracing of socialism, feminism, and new social experiments.The 85th Infantry Division in World War II
By Paul L. Schultz. 2020
The 85th Infantry Division also known as "Custer Division", saw much service in the Second World War off of it…
the bitter Italian campaign in the European Theater of Operations. In this fascinating and detailed account, written by a member of the division itself, the operations, hardships and victories are recounted. Often fighting in difficulty hilly terrain, against prepared positions of great strength or defended river crossings the 85th always advanced to victory even in the most adverse circumstances.