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Arguably the greatest science fiction writer who ever lived, Isaac Asimov also possessed one of the most brilliant and original… minds of our time. His accessible style and far-reaching interests in subjects ranging from science to humor to history earned him the nickname "the Great Explainer. "I. Asimovis his personal story--vivid, open, and honest--as only Asimov himself could tell it. Here is the story of the paradoxical genius who wrote of travel to the stars yet refused to fly in airplanes; who imagined alien universes and vast galactic civilizations while staying home to write; who compulsively authored more than 470 books yet still found the time to share his ideas with some of the great minds of our century. Here are his wide-ranging thoughts and sharp-eyed observations on everything from religion to politics, love and divorce, friendship and Hollywood, fame and mortality. Here, too, is a riveting behind-the-scenes look at the varied personalities--Campbell, Ellison, Heinlein, Clarke, del Rey, Silverberg, and others--who along with Asimov helped shape science fiction. As unique and irrepressible as the man himself,I. Asimov is the candid memoir of an incomparable talent who entertained readers for nearly half a century and whose work will surely endure into the future he so vividly envisioned.
Under his own name and numerous pseudonyms, John Brunner (1934-1995) was one of the most prolific and influential science fiction… authors of the late twentieth century. During his exemplary career, the British author wrote with a stamina matched by only a few other great science fiction writers and with a literary quality of even fewer, importing modernist techniques into his novels and stories and probing every major theme of his generation: robotics, racism, drugs, space exploration, technological warfare, and ecology. In this first intensive review of Brunner's life and works, Jad Smith carefully demonstrates how Brunner's much-neglected early fiction laid the foundation for his classic Stand on Zanzibar and other major works such as The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider. Making extensive use of Brunner's letters, columns, speeches, and interviews published in fanzines, Smith approaches Brunner in the context of markets and trends that affected many writers of the time, including Brunner's uneasy association with the "New Wave" of science fiction in the 1960s and '70s. This landmark study shows how Brunner's attempts to cross-fertilize the American pulp tradition with British scientific romance complicated the distinctions between genre and mainstream fiction and between hard and soft science fiction and helped carve out space for emerging modes such as cyberpunk, slipstream, and biopunk.
Today the names of H. P. Lovecraft, Robert E. Howard, August Derleth, and Clark Ashton Smith, all regular contributors to… the pulp magazine Weird Tales during the first half of the twentieth century, are recognizable even to casual readers of the bizarre and fantastic. And yet despite being more popular than them all during the golden era of genre pulp fiction, there is another author whose name and work have fallen into obscurity: Seabury Quinn.Quinn’s short stories were featured in well more than half of Weird Tales’s original publication run. His most famous character, the supernatural French detective Dr. Jules de Grandin, investigated cases involving monsters, devil worshippers, serial killers, and spirits from beyond the grave, often set in the small town of Harrisonville, New Jersey. In de Grandin there are familiar shades of both Arthur Conan Doyle’s Sherlock Holmes and Agatha Christie’s Hercule Poirot, and alongside his assistant, Dr. Samuel Trowbridge, de Grandin’s knack for solving mysteries-and his outbursts of peculiar French-isms (grand Dieu!)-captivated readers for nearly three decades.Collected for the first time in trade editions, The Complete Tales of Jules de Grandin, edited by George Vanderburgh, presents all ninety-three published works featuring the supernatural detective. Presented in chronological order over five volumes, this is the definitive collection of an iconic pulp hero. The first volume, The Horror on the Links, includes all of the Jules de Grandin stories from "The Horror on the Links” (1925) to "The Chapel of Mystic Horror” (1928), as well as an introduction by George Vanderburgh and Robert Weinberg.
As you ride down the intergalactic bike path, you come to a crossroads. Which path will you take? Your choice… could determine your future, or the future of all humanity, forever. These twelve stories explore a variety of intersections set in distant, outlandish, or disturbingly realistic futures and dimensions—all involving bicycles and the breaking of gender stereotypes. A bicycle race spans a rift between worlds. A teenager learns a valuable lesson from her prepper mom. A young fruit seller gets closer to her dream of becoming an astronaut. An overwhelmed mom finds unexpected solace at a bicycle collective. And much more! Contributors include Tuere T.S. Ganges, Gretchin Lair, Ayame Whitfield, Julia K. Patt, Elly Bangs, Osahon Ize-Iyamu, Monique Cuillerier, Kat Lerner, Hella Grichi, and Summer Jewel Keown, with illustrations by Elly Bangs and Paul Abbamondi.
“Resistance and change often begin in art. Very often in our art, the art of words.” —Ursula K. Le Guin… When she began writing in the 1960s, Ursula K. Le Guin was as much of a literary outsider as one can be: a woman writing in a landscape dominated by men, a science fiction and fantasy author in an era that dismissed “genre” literature as unserious, and a westerner living far from fashionable East Coast publishing circles. The interviews collected here—spanning a remarkable forty years of productivity, and covering everything from her Berkeley childhood to Le Guin envisioning the end of capitalism—highlight that unique perspective, which conjured some of the most prescient and lasting books in modern literature.