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Ecocriticism and Indigenous Studies: Conversations from Earth to Cosmos (Routledge Interdisciplinary Perspectives on Literature)
By Joni Adamson, Salma Monani. 2017
This book addresses the intersections between the interdisciplinary realms of Ecocriticism and Indigenous and Native American Studies, and between academic…
theory and pragmatic eco-activism conducted by multiethnic and indigenous communities. It illuminates the multi-layered, polyvocal ways in which artistic expressions render ecological connections, drawing on scholars working in collaboration with Indigenous artists from all walks of life, including film, literature, performance, and other forms of multimedia to expand existing conversations. Both local and global in its focus, the volume includes essays from multiethnic and Indigenous communities across the world, visiting topics such as Navajo opera, Sami film production history, south Indian tribal documentary, Maori art installations, Native American and First Nations science-fiction literature and film, Amazonian poetry, and many others. Highlighting trans-Indigenous sensibilities that speak to worldwide crises of environmental politics and action against marginalization, the collection alerts readers to movements of community resilience and resistance, cosmological thinking about inter- and intra-generational multi-species relations, and understandings of indigenous aesthetics and material ecologies. It engages with emerging environmental concepts such as multispecies ethnography, cosmopolitics, and trans-indigeneity, as well as with new areas of ecocritical research such as material ecocriticism, biosemiotics, and media studies. In its breadth and scope, this book promises new directions for ecocritical thought and environmental humanities practice, providing thought-provoking insight into what it means to be human in a locally situated, globally networked, and cosmologically complex world.Listen but Don't Ask Question: Hawaiian Slack Key Guitar across the TransPacific
By Kevin Fellezs. 2019
Performed on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in…
the mid-nineteenth century. Though performed on a non-Hawaiian instrument, it is widely considered to be an authentic Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don&’t Ask Question Kevin Fellezs listens to Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitarists in Hawai&‘i, California, and Japan, attentive to the ways in which notions of Kanaka Maoli belonging and authenticity are negotiated and articulated in all three locations. In Hawai&‘i, slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it nurtures a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian values, Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging, aesthetics, and politics throughout the transPacific.Naturalist and artist Ernest Thompson Seton was a founding pioneer of the Boy Scouts of America who introduced many elements…
of Native American lore to scouting rituals. In this comprehensive collection of his most interesting stories, crafts, games, and other activities related to outdoor life, Seton offers a respectful and informative tribute to Native American culture. More than 500 of his drawings illustrate this practical guide for campers of all ages. In addition to briefly outlining the principles of scouting, Seton discusses Indian customs and laws as well as songs, dances, and ceremonies. He suggests both indoor and outdoor activities and provides a wealth of information on Indian sign language and games, campfire tales, forestry, and many other captivating facts and fancies.Blood: A Memoir
By Allison Moorer. 2019
The Grammy- and Academy Award- nominated singer-songwriter's haunting, lyrical memoir, sharing the story of an unthinkable act of violence and…
ultimate healing through artMobile, Alabama, 1986. A fourteen-year-old girl is awakened by the unmistakable sound of gunfire. On the front lawn, her father has shot and killed her mother before turning the gun on himself. Allison Moorer would grow up to be an award-winning musician, with her songs likened to "a Southern accent: eight miles an hour, deliberate, and very dangerous to underestimate" (Rolling Stone). But that moment, which forever altered her own life and that of her older sister, Shelby, has never been far from her thoughts. Now, in her journey to understand the unthinkable, to parse the unknowable, Allison uses her lyrical storytelling powers to lay bare the memories and impressions that make a family, and that tear a family apart.Blood delves into the meaning of inheritance and destiny, shame and trauma -- and how it is possible to carve out a safe place in the world despite it all. With a foreword by Allison's sister, Grammy winner Shelby Lynne, Blood reads like an intimate journal: vivid, haunting, and ultimately life-affirming.Fryderyk Chopin: A Life and Times
By Dr Alan Walker. 2018
A New York Times Book Review Editors' Choice. The Sunday Times (U.K.) Classical Music Book of 2018 and one of…
The Economist's Best Books of 2018."A magisterial portrait." --Corinna da Fonseca-Wollheim, The New York Times Book ReviewA landmark biography of the Polish composer by a leading authority on Chopin and his timeBased on ten years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker’s monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker’s work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin. Fryderyk Chopin is an intimate look into a dramatic life; of particular focus are Chopin’s childhood and youth in Poland, which are brought into line with the latest scholarly findings, and Chopin’s romantic life with George Sand, with whom he lived for nine years.Comprehensive and engaging, and written in highly readable prose, the biography wears its scholarship lightly: this is a book suited as much for the professional pianist as it is for the casual music lover. Just as he did in his definitive biography of Liszt, Walker illuminates Chopin and his music with unprecedented clarity in this magisterial biography, bringing to life one of the nineteenth century’s most confounding, beloved, and legendary artists.The Girl in the Photograph: The True Story of a Native American Child, Lost and Found in America
By Byron L. Dorgan. 2019
Through the story of Tamara, an abused Native American child, North Dakota Senator Byron Dorgan describes the plight of many…
children living on reservations—and offers hope for the future. On a winter morning in 1990, U.S. Senator Byron Dorgan of North Dakota picked up the Bismarck Tribune. On the front page, a small Native American girl gazed into the distance, shedding a tear. The headline: "Foster home children beaten—and nobody's helping." Dorgan, who had been working with American Indian tribes to secure resources, was upset. He flew to the Standing Rock Indian Reservation to meet with five-year-old Tamara who had suffered a horrible beating at a foster home. He visited with Tamara and her grandfather and they became friends. Then Tamara disappeared. And he would search for her for decades until they finally found each other again. This book is her story, from childhood to the present, but it's also the story of a people and a nation. More than one in three American Indian/Alaskan Native children live in poverty. AI/AN children are disproportionately in foster care and awaiting adoption. Suicide among AI/AN youth ages 15 to 24 is 2.5 times the national rate. How has America allowed this to happen? As distressing a situation as it is, this is also a story of hope and resilience. Dorgan, who founded the Center for Native American Youth (CNAY) at the Aspen Institute, has worked tirelessly to bring Native youth voices to the forefront of policy discussions, engage Native youth in leadership and advocacy, and secure and share resources for Native youth. You will fall in love with this heartbreaking story, but end the book knowing what can be done and what you can do.The Nightingale's Sonata: The Musical Odyssey Of Lea Luboshutz
By Thomas Wolf. 2019
A moving and uplifting history set to music that reveals the rich life of one of the first internationally renowned…
female violinists Spanning generations, from the shores of the Black Sea to the glittering concert halls of New York, The Nightingale's Sonata is a richly woven tapestry centered around violin virtuoso Lea Luboshutz. Like many poor Jews, music offered an escape from the prejudices that dominated society in the last years of the Russian Empire. But Lea’s dramatic rise as an artist was further accentuated by her scandalous relationship with the revolutionary Onissim Goldovsky. As the world around them descends in to chaos, between revolution and war, we follow Lea and her family from Russia to Europe and eventually, America. We cross paths with Pablo Casals, Isadora Duncan, Emile Zola and even Leo Tolstoy. The little girl from Odessa will eventually end up as one of the founding faculty of the prestigious Curtis Institute of Music, but along the way she will lose her true love, her father, and watch a son die young. The Iron Curtain would rise, but through it all, she plays on. Woven throughout this luminous odyssey is the story is César Franck’s “Sonata for Violin and Piano," a work championed by Lea, one of the first-ever internationally recognized female violinists. It became a touchstone for her, for her multi-generational family of musicians, and for scores of her students who played this masterwork throughout the world.Nunca es demasiado: Una larga historia en el rock
By Fernando Samalea. 2019
Cierre de la trilogía autobiográfica del mayor baterista argentino de rock, que abarca el período 2010-2017: de Charly & The…
Prostitution, las giras, el Colón y su disco Random a los conciertos europeos con el francés Benjamin Biolay. Dear Fernando, qué bueno tener este libro con nuevas y divertidas aventuras. Hemos compartido muchas de ellas. Los libros y la música nos juntaron siempre... ¡Me faltaría subir a tu moto!Renata Schussheim Siempre hay un soldado, un jugador, que se especializa en proveer el clima ideal para la aventura. Que sabe vehicular y contagiar la energía necesaria para una celebración. Esta es una de las mayores virtudes de Fernando. Virtud que solo puede poseer una sensibilidad distinta como la suya.Ramón Ortega «Después de la tempestad viene... otra tempestad», dice Fernando Samalea al empezar este recorrido por sus vivencias más recientes. Amigos, conciertos, viajes, amores, paisajes, en estas páginas todo transcurre con la naturalidad de lo extraordinario. Samalea salta desde el Colón con Charly hasta el barcito de provincia con músicos veinteañeros; va de Nueva York a París, de Arequipa a Kioto; cambia el altillo de Constitución por el Barco de Villa Ortúzar. Abandona, durante un tiempo, ómnibus y aviones para subir a su querida Idílica y conquistar en dos ruedas casi toda Sudamérica. No conforme con la percusión y el fueye, con The Prostitution, la Orquesta Hypnofón y el Sexteto Irreal, también es bartender. Y como si ser Samalea no fuera suficiente, algunos lo llaman Palito y otros le piden autógrafos de Julio Bocca. Nunca es demasiado.From the Leader's Chair
By Kenneth Sillito. 1971
Kenneth Sillito is internationally recognised as one of Britain's most distinguished musicians. Born in Newcastle-upon-Tyne, he studied with David Martin…
at the Royal Academy of Music, and in Rome with Remy Principe. His first major appointment was as associate leader of the newly created English Chamber Orchestra in 1960. He was subsequently appointed leader and remained with the orchestra until 1973, during which time he established a worldwide reputation as both director and soloist. In 1967, he founded the Gabrieli String Quartet, which swiftly established itself as one of this country's leading chamber ensembles. With the Academy of St Martin-in-the-Fields, which he joined in l980, Kenneth led and directed innumerable distinguished recordings and performances until his retirement in 2012. He was made a Fellow of the Royal Academy in 1971 and awarded the highly prestigious Cobbett Medal in 2017 by The Worshipful Company of Musicians for his services to chamber music.What Don't Kill Me Just Makes Me Strong: A Memoir
By Stewart Francke. 2013
The Detroit music legend and founder of the Stewart Francke Leukemia Foundation shares his inspiring story of illness, faith, and…
the drive to survive. In this candid survival memoir, Stewart Francke recounts his remarkable journey with leukemia through a bone marrow transplant, complications, and eventual recovery. Understanding that his survival makes him part of the &“lucky unlucky,&” the young father and renowned musician finds the silver lining—and then some—in his struggle. Francke&’s story from initial biopsy to full recovery is often harrowing. Yet it is in the darkest moments that he learns important lessons about survival. Coming to understand that faith is a choice, he also realizes that only death is irrevocable. All else either makes us stronger or becomes part of the gift of life. Beginning each chapter with a brief but powerful lesson in living, Francke&’s singular story of illness, faith, and family is also a universal guide for facing adversity.From their earliest encounters with Indigenous Pacific Islanders, white Europeans and Americans asserted an identification with the racial origins of…
Polynesians, declaring them to be racially almost white and speculating that they were of Mediterranean or Aryan descent. In Possessing Polynesians Maile Arvin analyzes this racializing history within the context of settler colonialism across Polynesia, especially in Hawai&‘i. Arvin argues that a logic of possession through whiteness animates settler colonialism, by which both Polynesia (the place) and Polynesians (the people) become exotic, feminized belongings of whiteness. Seeing whiteness as indigenous to Polynesia provided white settlers with the justification needed to claim Polynesian lands and resources. Understood as possessions, Polynesians were and continue to be denied the privileges of whiteness. Yet Polynesians have long contested these classifications, claims, and cultural representations, and Arvin shows how their resistance to and refusal of white settler logic have regenerated Indigenous forms of recognition.Declared Defective is the anthropological history of an outcaste community and a critical reevaluation of The Nam Family, written in…
1912 by Arthur Estabrook and Charles Davenport, leaders of the early twentieth-century eugenics movement. Based on their investigations of an obscure rural enclave in upstate New York, the biologists were repulsed by the poverty and behavior of the people in Nam Hollow. They claimed that their alleged indolence, feeble-mindedness, licentiousness, alcoholism, and criminality were biologically inherited.Declared Defective reveals that Nam Hollow was actually a community of marginalized, mixed-race Native Americans, the Van Guilders, adapting to scarce resources during an era of tumultuous political and economic change. Their Mohican ancestors had lost lands and been displaced from the frontiers of colonial expansion in western Massachusetts in the late eighteenth century. Estabrook and Davenport’s portrait of innate degeneracy was a grotesque mischaracterization based on class prejudice and ignorance of the history and hybridic subculture of the people of Guilder Hollow. By bringing historical experience, agency, and cultural process to the forefront of analysis, Declared Defective illuminates the real lives and struggles of the Mohican Van Guilders. It also exposes the pseudoscientific zealotry and fearmongering of Progressive Era eugenics while exploring the contradictions of race and class in America.Xurt&’an (the end of the world) showcases the rich storytelling traditions of the northern Lacandones of Naha&’ through a collection of…
traditional narratives, songs, and ritual speech. Formerly isolated in the dense, tropical rainforest of Chiapas, Mexico, the Lacandon Maya constitute one of the smallest language groups in the world. Although their language remains active and alive, their traditional culture was abandoned after the death of their religious and civic leader in 1996. Lacking the traditional contexts in which the culture was transmitted, the oral traditions are quickly being forgotten. This collection includes creation myths that describe the cycle of destruction and renewal of the world, the structure of the universe, the realms of the gods and their intercessions in the affairs of their mortals, and the journey of the souls after death. Other traditional stories are non-mythic and fictive accounts involving talking animals, supernatural beings, and malevolent beings that stalk and devour hapless victims. In addition to traditional narratives, Xurt&’an presents many songs that are claimed to have been received from the Lord of Maize, magical charms that invoke the forces of the natural world, invocations to the gods to heal and protect, and work songs of Lacandon women, whose contribution to Lacandon culture has been hitherto overlooked by scholars. Women&’s songs offer a rare glimpse into the other half of Lacandon society and the arduous distaff work that sustained the religion. The compilation concludes with descriptions of rainbows, the Milky Way as &“the white road of Our Lord,&” and an account of the solstices. Transcribed and translated by a foremost linguist of the northern Lacandon language, the literary traditions of the Lacandones are finally accessible to English readers. The result is a masterful and authoritative collection of oral literature that will both entertain and provoke, while vividly testifying to the power of Lacandon Maya aesthetic expression.I Wonder U: How Prince Went beyond Race and Back
By Adilifu Nama. 2020
In 1993, Prince infamously changed his name to a unique, unpronounceable symbol. Yet this was only one of a long…
string of self-reinventions orchestrated by Prince as he refused to be typecast by the music industry’s limiting definitions of masculinity and femininity, of straightness and queerness, of authenticity and artifice, or of black music and white music. Revealing how he continually subverted cultural expectations, I Wonder U examines the entirety of Prince’s diverse career as a singer, multi-instrumentalist, songwriter, producer, record label mogul, movie star, and director. It shows how, by blending elements of R&B, rock, and new wave into an extremely videogenic package, Prince was able to overcome the color barrier that kept black artists off of MTV. Yet even at his greatest crossover success, he still worked hard to retain his credibility among black music fans. In this way, Adilifu Nama suggests, Prince was able to assert a distinctly black political sensibility while still being perceived as a unique musical genius whose appeal transcended racial boundaries.Native American Freemasonry: Associationalism and Performance in America
By Joy Porter. 2011
Freemasonry has played a significant role in the history of Native Americans since the colonial era—a role whose extent and…
meaning are fully explored for the first time in this book. The overarching concern of Native American Freemasonry is with how Masonry met specific social and personal needs of Native Americans, a theme developed across three periods: the revolutionary era, the last third of the nineteenth century, and the years following the First World War. Joy Porter positions Freemasonry within its historical context, examining its social and political impact as a transatlantic phenomenon at the heart of the colonizing process. She then explores its meaning for many key Native leaders, for ethnic groups that sought to make connections through it, and for the bulk of its American membership—the white Anglo-Saxon Protestant middle class. Through research gleaned from archives in New York, Philadelphia, Oklahoma, California, and London, Porter shows how Freemasonry&’s performance of ritual provided an accessible point of entry to Native Americans and how over time, Freemasonry became a significant avenue for the exchange and co-creation of cultural forms by Indians and non-Indians.LIFE Elton John
By The Editors of LIFE. 1975
Up Jumped the Devil: The Real Life of Robert Johnson
By Gayle Dean Wardlow, Bruce Conforth. 2019
Robert Johnson is the subject of the most famous myth about the history of the blues: he allegedly sold his…
soul at the crossroads in exchange for his incredible talent, and this deal led to his tragic death at age 27. This single notion can be recited by everyone who has ever heard of him, but the actual story of his life remains unknown save for a few inaccurate anecdotes. Up Jumped the Devil is the result of over 50 years of research. Gayle Dean Wardlow has been interviewing people who knew Robert Johnson since the early 1960s, and he was the person who discovered Johnson's death certificate in 1967. Bruce Conforth began his study of Johnson's life and music in 1970 and made it his personal mission to try to fill in the gaps in what was still unknown about him. In this definitive biography, the two authors relied on every possible interview, resource and document, most of it material that no one has ever seen before. As a result, this book not only destroys every myth that ever surrounded Johnson, but also tells a very human and tragic story of a real person. It is the first book about Johnson that documents his years in Memphis, details his trip to New York, uncovers where and when his wife Virginia died and the impact this had on him, fully portrays the other women Johnson was involved with, and tells exactly how and why he died and who gave him the poison that killed him. Up Jumped the Devil will astonish blues fans who thought they knew something about Johnson—most of those things are wrong—and will be a great read for anyone interested in blues, black culture and American music.Acid for the Children: A Memoir
By Flea. 2017
The iconic bassist and co-founder of the Red Hot Chili Peppers tells his fascinating origin story, complete with all the…
dizzying highs and the gutter lows you'd want from an LA street rat turned world famous rock star. In Acid for the Children, Flea takes readers on a deeply personal and revealing tour of his formative years, spanning from Australia to the New York City suburbs to, finally, Los Angeles. Through hilarious anecdotes, poetical meditations, and occasional flights of fantasy, Flea deftly chronicles the experiences that forged him as an artist, a musician, and a young man. His dreamy, jazz-inflected prose makes the Los Angeles of the 1970s and 80s come to gritty, glorious life, including the potential for fun, danger, mayhem, or inspiration that lurked around every corner. It is here that young Flea, looking to escape a turbulent home, found family in a community of musicians, artists, and junkies who also lived on the fringe. He spent most of his time partying and committing petty crimes. But it was in music where he found a higher meaning, a place to channel his frustration, loneliness, and love. This left him open to the life-changing moment when he and his best friends, soul brothers, and partners-in-mischief came up with the idea to start their own band, which became the Red Hot Chili Peppers. Acid for the Children is the debut of a stunning new literary voice, whose prose is as witty, entertaining, and wildly unpredictable as the author himself. It's a tenderly evocative coming-of-age story and a raucous love letter to the power of music and creativity from one of the most renowned musicians of our time. A New York Times BestsellerDisruptive Voices and the Singularity of Histories (Histories of Anthropology Annual)
By Regna Darnell, Frederic W. Gleach. 2019
Histories of Anthropology Annual presents diverse perspectives on the discipline&’s history within a global context, with a goal of increasing awareness…
and use of historical approaches in teaching, learning, and conducting anthropology. The series includes critical, comparative, analytical, and narrative studies involving all aspects and subfields of anthropology. Volume 13, Disruptive Voices and the Singularity of Histories, explores the interplay of identities and scholarship through the history of anthropology, with a special section examining fieldwork predecessors and indigenous communities in Native North America. Individual contributions explore the complexity of women&’s history, indigenous history, national traditions, and oral histories to juxtapose what we understand of the past with its present continuities. These contributions include Sharon Lindenburger&’s examination of Franz Boas and his navigation with Jewish identity, Kathy M&’Closkey&’s documentation of Navajo weavers and their struggles with cultural identities and economic resources and demands, and Mindy Morgan&’s use of the text of Ruth Underhill&’s O&’odham study to capture the voices of three generations of women ethnographers. Because this work bridges anthropology and history, a richer and more varied view of the past emerges through the meticulous narratives of anthropologists and their unique fieldwork, ultimately providing competing points of access to social dynamics. This volume examines events at both macro and micro levels, documenting the impact large-scale historical events have had on particular individuals and challenging the uniqueness of a single interpretation of &“the same facts.&”Wham!, George Michael and Me: A Memoir
By Andrew Ridgeley. 2019
For the first time, Andrew Ridgeley—one half of one of the most famous bands in the world—tells the inside story…
of Wham!, his lifelong friendship with George Michael, and the formation of a band that changed the shape of the music scene in the early eighties. In 1975 Andrew took a shy new boy at school under his wing. They instantly hit it off, and their boyhood escapades at Bushy Meads School built a bond that was never broken. The duo found themselves riding an astonishing roller coaster of success, taking them all over the world. They made and broke iconic records, they were treated like gods, but they stayed true to their friendship and ultimately to themselves. It was a party that seemed as if it would never end. And then it did, in front of tens of thousands of tearful fans at Wembley Stadium in 1986. Andrew’s memoir covers in wonderful detail those years, up until that last iconic concert: the scrapes, the laughs, the relationships, the good, and the bad. It’s a unique and one-and-only time to remember that era, that band, and those boys.