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Divine Stories
By Andy Rotman. 2008
Divine Stories is the inaugural volume in a landmark translation series devoted to making the wealth of classical Indian Buddhism…
accessible to modern readers. The stories here, among the first texts to be inscribed by Buddhists, highlight the moral economy of karma, illustrating how gestures of faith, especially offerings, can bring the reward of future happiness and ultimate liberation. Originally contained in the Divyavadana, an enormous compendium of Sanskrit Buddhist narratives from the early Common Era, the stories in this collection express the moral and ethical impulses of Indian Buddhist thought and are a testament to the historical and social power of narrative. Long believed by followers to be the actual words of the Buddha himself, these divine stories are without a doubt some of the most influential stories in the history of Buddhism.Counterfeiter and Other Stories
By Yasushi Inoue. 2000
In The Counterfeiter, a writer is commissioned to write the biography of a famous painter but becomes fascinated by a…
man who produced forgeries of the artist's work. Obasute concerns a man's obsession with a legend of old women being taken to a mountain and abandoned, and his interpretation of the actions of the members of his family in light of this legend. The Full Moon is a story of company politics, particularly the rise and fall of the firm's president, told largely through incidents at annual company parties.Since its publication in 1892, Charlotte Perkins Gilman's "The Yellow Wall-paper" has always been recognized as a powerful statement about…
the victimization of a woman whose neurasthenic condition is completely misdiagnosed, mistreated, and misunderstood, leaving her to face insanity alone, as a prisoner in her own bedroom. Never before, however, has the story itself been portrayed as victimized.In this first critical edition of Gilman's "The Yellow Wall-paper," accompanied by contemporary reviews and previously unpublished letters, Julie Bates Dock examines the various myth-frames that have been used to legitimize Gilman's story. The editor discusses how modern feminist critics' readings (and misreadings) of the available documents uphold a set of legends that originated with Gilman herself and that promulgate an almost saintly view of the pioneering feminist author. The documents made available in the collection enable scholars and students to evaluate firsthand Gilman's claims regarding the story's impact on its first audiences.Dock presents an authoritative text of "The Yellow Wall-paper" for the first time since its initial publication. Included are a textual commentary, full descriptions of all relevant texts, lists of editorial emendations and pre-copy-text substantive variants, a complete historical collation that documents all the variants found in important editions after 1892, and a listing of textual sources for more than one hundred reprintings of the story in anthologies and textbooks.Other documents in the casebook that illuminate the story's publication and reception histories include Gilman's successive and varying accounts of the story's history, her diary and manuscript log entries and letters pertaining to the story, W. D. Howells's correspondence with Gilman and Horace Scudder, editor of The Atlantic Monthly, and his remarks on the story when he reprinted it in Great American Short Stories, and more than two dozen reviews of the story by Gilman's contemporaries.Taken together, the criticism, text, documents, and annotations constitute a rich and valuable contribution to Gilman scholarship, calling into question the feminist literary criticism that has helped to shape interpretations of a literary masterpiece.The Greatest Show: Stories (YSF Contacts)
By Michael Downs. 2012
Fire sweeps along the wall of a circus tent while inside thousands of people enjoy a Ringling Brothers and Barnum…
and Bailey matinee. Within minutes, flames consume the canvas and vast sections collapse, killing 168 people and injuring hundreds more.Inspired by the 1944 Hartford Circus Fire, the interconnected stories in Michael Downs's The Greatest Show explore the aftermath of a disaster in a world of clowns, elephants, and childhood fantasies. In the opening story, Ania Liszak, a young Polish housemaid, steals circus tickets from her employer to take her three-year-old son, Teddy, to the matinee. The fire nearly kills both and leaves them scarred in different ways: Teddy's mother enjoys the beautiful strangeness of the scar on her face, but the patches across Teddy's body inspire cruel schoolmates to call him "Lizard Liszak." Over time, his mother transforms her pain into drama, while Teddy, having no memory of that day, seeks ways to return to it.These and other captivating characters appear throughout the book, creating a portrait of an American city and its people over five decades, raising questions about wounds and healing, memory and forgetting, and about the human capacity for kindness -- with all its futility and power -- in the midst of great loss.The Stories of the Lotus Sutra
By Rafe Martin, Gene Reeves. 2010
Stories are ancient and wondrous tools with the mysterious power to transform lives. And the stories and parables of the…
Lotus Sutra-one of the world's great religious scriptures and most influential texts-are among the most fascinating and dramatic. In this fun, engaging, and plain-English book, Gene Reeves-the translator of Wisdom's critically acclaimed and bestselling edition of the Lotus Sutra-presents the most memorable and remarkable of the Lotus Sutra's many stories and parables, along with a distillation of his decades of reflection on them in an accessible, inspiring, and naturally illuminating way. The Stories of the Lotus Sutra is the perfect companion to Reeve's breathtaking translation of this scriptural masterpiece as well as a thoroughly enjoyable stand-alone volume for those who want to bring the inspiring teachings of the bodhisattva path into their daily lives.Since its publication in 1892, Charlotte Perkins Gilman's "The Yellow Wall-paper" has always been recognized as a powerful statement about…
the victimization of a woman whose neurasthenic condition is completely misdiagnosed, mistreated, and misunderstood, leaving her to face insanity alone, as a prisoner in her own bedroom. Never before, however, has the story itself been portrayed as victimized.In this first critical edition of Gilman's "The Yellow Wall-paper," accompanied by contemporary reviews and previously unpublished letters, Julie Bates Dock examines the various myth-frames that have been used to legitimize Gilman's story. The editor discusses how modern feminist critics' readings (and misreadings) of the available documents uphold a set of legends that originated with Gilman herself and that promulgate an almost saintly view of the pioneering feminist author. The documents made available in the collection enable scholars and students to evaluate firsthand Gilman's claims regarding the story's impact on its first audiences.Dock presents an authoritative text of "The Yellow Wall-paper" for the first time since its initial publication. Included are a textual commentary, full descriptions of all relevant texts, lists of editorial emendations and pre-copy-text substantive variants, a complete historical collation that documents all the variants found in important editions after 1892, and a listing of textual sources for more than one hundred reprintings of the story in anthologies and textbooks.Other documents in the casebook that illuminate the story's publication and reception histories include Gilman's successive and varying accounts of the story's history, her diary and manuscript log entries and letters pertaining to the story, W. D. Howells's correspondence with Gilman and Horace Scudder, editor of The Atlantic Monthly, and his remarks on the story when he reprinted it in Great American Short Stories, and more than two dozen reviews of the story by Gilman's contemporaries.Taken together, the criticism, text, documents, and annotations constitute a rich and valuable contribution to Gilman scholarship, calling into question the feminist literary criticism that has helped to shape interpretations of a literary masterpiece.Yellow Roses
By Elizabeth Cullinan. 2024
A captivating collection unveiling the intricacies of love, life, and legacyThese twelve stories, told from the viewpoint of young women…
in life’s mid-passage, explore the splendors and miseries of love, both carnal and spiritual, and cast back through sickness and health to the engraving experiences of childhood and forward to the rituals and release of death and its occasion for recall.They tell us of a dutiful but not guiltless daughter faced with the wreckage a father has made of his life, of the pain of trying to steer steadily through a doomed affair with a dearly loved married man, and of the ironies attending the funeral of a priest uncle and the birthday of an aged mother.From the outwardly unremarkable frame of a single day—on Fire Island or in New York—an entire life and an encompassment of humanity are movingly conveyed. Then, with inverted telescope, the most subjective of inner realms is explored—through a hospital stay, a sudden name change, or the surprising end of all those dreaded piano lessons.Taken together, these stories are a far greater whole than the sum of their remarkable parts, an unforgettable exploration of the paradoxical toughness and vulnerability that define the mortal condition.