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Showing 1 - 14 of 14 items
By Andy Rotman. 2008
Divine Stories is the inaugural volume in a landmark translation series devoted to making the wealth of classical Indian Buddhism…
accessible to modern readers. The stories here, among the first texts to be inscribed by Buddhists, highlight the moral economy of karma, illustrating how gestures of faith, especially offerings, can bring the reward of future happiness and ultimate liberation. Originally contained in the Divyavadana, an enormous compendium of Sanskrit Buddhist narratives from the early Common Era, the stories in this collection express the moral and ethical impulses of Indian Buddhist thought and are a testament to the historical and social power of narrative. Long believed by followers to be the actual words of the Buddha himself, these divine stories are without a doubt some of the most influential stories in the history of Buddhism.By Yasushi Inoue. 2000
In The Counterfeiter, a writer is commissioned to write the biography of a famous painter but becomes fascinated by a…
man who produced forgeries of the artist's work. Obasute concerns a man's obsession with a legend of old women being taken to a mountain and abandoned, and his interpretation of the actions of the members of his family in light of this legend. The Full Moon is a story of company politics, particularly the rise and fall of the firm's president, told largely through incidents at annual company parties.By Natsume Soseki, Michael Emmerich, Treyvaud Matt, Susan Napier. 2015
A murderer discovers his true nature from a talking infant, a samurai is frustrated in his attempts to meditate, and…
a dying man bestows his hat on a friend in these surrealistic short stories. The dream-like, open-ended tales by the father of Japanese modernist literature offer thought-provoking reflections on fear, death, and loneliness. Their settings range from the Meiji period of the late nineteenth and early twentieth century, the era in which the tales were written, to the prehistoric Age of the Gods; the twelfth-century Kamakura period, in which the samurai class emerged; and the remote future.A scholar of British literature, author Natsume Sōseki (1867-1916) was also a composer of haiku, kanshi, and fairy tales. The stories of Ten Nights Dreaming, which were originally published as a newspaper serial, constitute milestones of Japanese fantasy. Like Sōseki's other writings, they have had a profound effect on readers, writers, and filmmakers. This edition features an expert new English translation by Matt Treyvaud, who has translated the story "The Cat's Grave" for this work as well.By Natsume Soseki, Michael Emmerich, Treyvaud Matt, Susan Napier. 2015
A murderer discovers his true nature from a talking infant, a samurai is frustrated in his attempts to meditate, and…
a dying man bestows his hat on a friend in these surrealistic short stories. The dream-like, open-ended tales by the father of Japanese modernist literature offer thought-provoking reflections on fear, death, and loneliness. Their settings range from the Meiji period of the late nineteenth and early twentieth century, the era in which the tales were written, to the prehistoric Age of the Gods; the twelfth-century Kamakura period, in which the samurai class emerged; and the remote future.A scholar of British literature, author Natsume Sōseki (1867-1916) was also a composer of haiku, kanshi, and fairy tales. The stories of Ten Nights Dreaming, which were originally published as a newspaper serial, constitute milestones of Japanese fantasy. Like Sōseki's other writings, they have had a profound effect on readers, writers, and filmmakers. This edition features an expert new English translation by Matt Treyvaud, who has translated the story "The Cat's Grave" for this work as well.By Natsume Soseki, Michael Emmerich, Treyvaud Matt, Susan Jolliffe Napier. 2015
A murderer discovers his true nature from a talking infant, a samurai is frustrated in his attempts to meditate, and…
a dying man bestows his hat on a friend in these surrealistic short stories. The dream-like, open-ended tales by the father of Japanese modernist literature offer thought-provoking reflections on fear, death, and loneliness. Their settings range from the Meiji period of the late nineteenth and early twentieth century, the era in which the tales were written, to the prehistoric Age of the Gods; the twelfth-century Kamakura period, in which the samurai class emerged; and the remote future.A scholar of British literature, author Natsume Sōseki (1867-1916) was also a composer of haiku, kanshi, and fairy tales. The stories of Ten Nights Dreaming, which were originally published as a newspaper serial, constitute milestones of Japanese fantasy. Like Sōseki's other writings, they have had a profound effect on readers, writers, and filmmakers. This edition features an expert new English translation by Matt Treyvaud, who has translated the story "The Cat's Grave" for this work as well.By Rafe Martin, Gene Reeves. 2010
Stories are ancient and wondrous tools with the mysterious power to transform lives. And the stories and parables of the…
Lotus Sutra-one of the world's great religious scriptures and most influential texts-are among the most fascinating and dramatic. In this fun, engaging, and plain-English book, Gene Reeves-the translator of Wisdom's critically acclaimed and bestselling edition of the Lotus Sutra-presents the most memorable and remarkable of the Lotus Sutra's many stories and parables, along with a distillation of his decades of reflection on them in an accessible, inspiring, and naturally illuminating way. The Stories of the Lotus Sutra is the perfect companion to Reeve's breathtaking translation of this scriptural masterpiece as well as a thoroughly enjoyable stand-alone volume for those who want to bring the inspiring teachings of the bodhisattva path into their daily lives.By Osamu Tezuka. 2006
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.By Osamu Tezuka. 2006
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.By Osamu Tezuka. 2006
The Eisner and Harvey Winner The third volume of this epic graphic novel send Siddhartha further into a world mired…
in pain and suffering. The journey to peace and enlightenment looms far but bright. Prince Siddhartha quickly learns that the monk's path is covered in thorns and self-abuses much more profound than shaving your head. His new companions Dhepa and Assaji accompany him to plague-ridden town, ruled by the ravishing Visakha. On a different path filled with as many vagaries is Devadatta, an orphan who learns only that bad almost always gets worse. To strange cities, and dire prophecies...By Osamu Tezuka. 2007
In the sixth volume of manga visionary Osamu Tezuka's Buddha, the devil Mara possesses the bandit Ananda, half-brother of Devadatta,…
in an effort to eliminate the Buddha. A ruthless killer who is impervious to physical harm, Ananda will retain the devil's favor only if he spurns his love interest. When Ananda and his bandit buddy attack the Fire Shrine of the Brahmin brothers Kassapa, it is none other than the Awakened One who happens by. Buddha must confront his eternal enemy, Mara, before he can open the eyes of arrogant priests and hardened criminals.By Osamu Tezuka. 2007
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.By Osamu Tezuka. 2007
In the fifth installment of manga-godfather Osamu Tezuka's Buddha, engagement with death imparts the lesson of life's sanctity. In a…
Machiavellian rise to power, Devadatta, a rogue aristocrat, incites war between two kingdoms that will leave thousands dead. King Bimisara of Magadha, fearing death his son's own hand, withdraws fatherly love. The true measure of the Buddha's divinity will turn out to be a test of diplomacy - the power of words.By Osamu Tezuka. 2006
The Eisner and Harvey Winner In this fourth volume of the award-winning graphic novel biography, Buddha slowly discovers that his…
destiny lies in a path not readily available to him. With fellow ascetics Dhepa who has complete faith in the purifying quality of painful physical ordeals, and Assaji, who can predict everyone's death to the hour, Buddha travels through the kingdom of Magadha into the Forest of Uruvela, where The Middle Path and Enlightenment wait beyond a series of death-defying trials. Awake under the Pippala tree...By Osamu Tezuka. 2007
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.