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Un buen hijo de p: una fá́bula (Vintage español)
By Ismael Cala. 2014
El periodista y presentador del programa "CNN en Español" presenta una fábula moderna a través de la historia y conversaciones…
de dos personajes, Arturo y Chris. Cala postula que sólo nosotros mismos tenemos el poder para transformar nuestras vidas, y que a través de las tres pes--pasión, paciencia y perseverancia--todo es posibleThe yellow arrow
By Andrew Bromfield, Victor Pelevin, Viktor Pelevin. 1996
Single white female
By John Lutz. 2011
After a messy breakup, Allie Jones posts an ad for a roommate. Hedra Carlson seems like the perfect match. But…
when Hedra starts interfering with Allie's life and imitating Allie's looks and mannerisms, Allie realizes danger is closer than she ever imagined. Basis for 1992 movie. Violence, strong language, and some explicit descriptions of sex. 1990You will know the truth: A Thriller
By Leslie T Thornton, Leslie Thornton. 2021
DC Public Defender Nicki Jo Lewis is assigned a gruesome murder case. The further she digs into the case, the…
more secrets she encounters, including ones that lead to the back doors of the White House. Violence, strong language, and some descriptions of sex. 2021The crowded grave (Bruno, Chief of Police #4)
By Martin Walker. 2012
Another delectable serving of mystery and the pleasures of the Dordogne from the newest master of suspense, Martin Walker. It'…
s spring in the idyllic village of St. Denis, and for Chief of Police Bruno CourrEges that means lamb stews, bottles of his beloved Pomerol, morning walks with his hound, Gigi— and a new string of regional crimes and international capers. When a local archaeological team looking for Cro-Magnon and Neanderthal remains turns up a corpse with a watch on its wrist and a bullet in its head, it' s up to Bruno to solve the case. But the task will not be easy, not with a meddlesome new magistrate eager to make a strong impression, an ongoing series of attacks by animal rights activists on local foie gras producers, and a nearby summit between France and Spain approaching— not to mention two beautiful, brilliant women vying for Bruno' s affections. Complicating events even further, the professor in charge of the dig is soon reported missing, leading Bruno to suspect that the past and the present are bound up in dangerous ways. As summer approaches, the wine growing cooler and the fruit sweeter, Bruno's investigations take him indelibly deeper into contemporary Europe' s dark history of terrorist and counterterrorist tactics— and toward a dramatic finale. As savory as foie gras, as piquant as vin de noix, and as richly complex as the region' s truffles, The Crowded Grave is a feast for mystery lovers and Francophiles alike.Athenian Blues
By Pol Koutsakis. 2017
Stratos hates being called a hitman He takes care of problems Permanently Problems that people pay handsomely…
to have solved His clients don t want to know the details but Stratos is conscientious He will only take on a job if his research shows that the targets deserve their fate In the midst of the Greek economic crisis Stratos takes on the highest-profile case of his career The most celebrated lawyer in Greece and his beautiful actress wife both bid for his services but which one is telling the truth Helped by his three childhood friends Drag a homicide cop Teri a high-class transgender sex worker and Maria the love of his and Drag s life he realises that truth is always relative Especially when shattered loves and broken families are involvedThe Stronger Sex
By Anthea Bell, Hans Werner Kettenbach. 2009
Young lawyer Alex Zabel defends industrialist Herbert Klofft in a case for wrongful dismissal being brought against him by his…
former employee and mistress. She is thirty-four, he seventy-eight, a despot, now wheelchair bound and dying of cancer. Alex must deal with a hopeless case, his growing empathy with a repulsive client and his sexual attraction to Klofft's elderly wife.In Absentia
By Morris Panych. 2012
Four seasons after her husband Tom's disappearance, Colette remains emotionally paralyzed, isolated in a country cottage. She waits in anguish,…
not knowing whether he is dead or alive, but clinging to hope. A young stranger in a jean jacket waves to her from the frozen lake - a sign? She emerges to give him her husband's parka - strangely, the boy has a likeness to Tom.What is the stranger's connection to her geologist husband, kidnapped more than a year before by leftist guerrillas in Colombia? How does this slyly seductive young stranger happen to show up at her home in rural Ontario, thousands of miles away? He seems to know more about Colette than he should, and as he slowly insinuates himself into her life, Colette's attentive sister, Evelyn, and her helpful neighbor Bill become increasingly alarmed.Part mystery, part moving story of vanished love, In Absentia explores the notion of disappearance, articulated in very personal terms. Through the tough, time-shifting action of the play, Colette reflects on her marriage and past love, offering rich associative memories while also uncovering the hidden and inaccessible - that which is made to disappear from view.Guilt and grief, infidelity and infertility, loss and longing are the deeper subjects Panych explores here. At the same time, the play examines the desire to make connections in life - thoughts to deeds, intentions to outcomes - in scenes often enlivened by the playwright's trademark humor.Cast of 3 men and 2 women.Nights of Awe
By Harri Nykanen, Kristian London. 2004
'Nykänen's twist on Nordic crime fiction may be the most inventive of the year. Ariel Kafka, a middle-aged bachelor, is…
a detective in Helsinki (think early Harry Hole) and, as far as he knows, the only Jew on the entire Helsinki police force, which is why he's picked to head up the investigation of a series of murders that began with two Arabic-looking men who may have been shouting Jewish obscenities as they died. Set during the days leading up to Yom Kippur, this complex tale moves quickly, as Ari attempts to figure it all out. With pressure from his colleagues, police administration, his brother, and the local Jewish community, can he uncover everything before the holiest day in the Jewish calender? The clever combination of classic Jewish themes with the traditions of Nordic crime makes for a refreshing tale with wide appeal. And the subtle humor, combined with a hero who is not completely depressed and alcoholic, makes it even better. Not just for readers of Nordic fiction, this should also be suggested to those who relate to New York Jewish detectives, including Lenny Briscoe (from Law & Order) and John Munch (from Homicide and Law & Order: SVU), as well as readers who enjoy the black humor of Stuart MacBride.' BooklistHarri Nykänen, born in Helsinki in 1953, was a well-known crime journalist before turning to fiction. He won the Finnish crime writing award The Clue in 1990 and in 2001. His fiction exposes the local underworld through the eyes of the criminal, the terrorist, and, most recently, from the point of view of an eccentric Helsinki police inspector.Involuntary Witness
By Patrick Creagh, Gianrico Carofiglio. 2002
A boy is found murdered in a well near a beach resort A Senegalese peddler is accused in a…
hopeless case soaked in small town racism The Italian judicial process revealed and an affectionate portrait of a deeply humane heroA Man of Genius
By Janet Todd. 2016
"Strange and haunting, a gothic novel with a modern consciousness." Philippa Gregory"A quirky, darkly mischievous novel about love, obsession and…
the burden of charisma, played out against the backdrop of Venice's watery, decadent glory." Sarah Dunant'A mesmerizing story of love and obsession in nineteenth century Venice: dark and utterly compelling."Natasha Solomons"Intriguing and entertaining; a clever, beguiling debut.Todd knows her Venice backwards."Salley Vickers"Revealing, surprising, compelling, gripping." Miriam Margolyes, actressA Man of Genius portrays a psychological journey from safety into obsession and secrecy. It mirrors a physical passage from flamboyant Regency England through a Europe conquered by Napoleon.Ann, a successful writer of cheap Gothic novels, becomes obsessed with Robert James, regarded by many, including himself, as a genius, with his ideas, his talk, and his band of male followers. However, their relationship becomes tortuous, as Robert descends into violence and madness. The pair leaves London for occupied Venice, where Ann tries to cope with the monstrous ego of her lover. Forced to flee with a stranger, she delves into her past, to be jolted by a series of revelations--about her lover, her parentage, the stranger, and herself. Janet Todd is known for her works about Mary Wollstonecraft, Aphra Behn, the Shelley circle, and Jane Austen. Born in Wales, her wandering childhood in the United Kingdom, Bermuda, and Sri Lanka led to work as an academic in Ghana, the United States, and United Kingdom. Her passion has been for women writers, the largely unknown and the famous. A former president of Lucy Cavendish College, University of Cambridge, she lives in Cambridge and Venice.A Fine Line
By Howard Curtis, Gianrico Carofiglio. 1961
"A FINE LINE is a terrific novel, a legal thriller that is also full of complex mediations on the life…
of the lawyer and the difficult compromises inherent in any system of criminal justice. A book that is intensely rewarding at many levels."Scott TurowThe fifth in the best-selling Guido Guerrieri series. When Judge Larocca is accused of corruption, Guerrieri goes against his better instincts and takes the case. Helped by Annapaola Doria, a motorbike-riding bisexual private detective who keeps a baseball bat on hand for sticky situations, he investigates the alleged links to the mafia. Of course Guerrieri cannot stop himself from falling for Annapaola's exotic charms.The novel is a suspenseful legal thriller but it is also much more. It is the story of a judge who, to quote Dostoevsky, "lies to himself and listens to his own lies, so gets to the point where he can no longer distinguish the truth, either in himself or around himself."No Sale
By Patrick Conrad, Jonathan Lynn. 2007
For Victor Cox, a professor of film history, the Hollywood films noirs of the 1940s and 1950s are more real…
than his daily life. When his wife is found drowned, Cox is the first murder suspect. He falls in love with a student who looks like the 1920s film star Louise Brooks, but she disappears at a Belgian seaside resort. Smeared in lipstick in their hotel room are the words "No Sale," the same words Elizabeth Taylor wrote on a mirror in Butterfield 8. Subsequently, a series of gruesome killings of young women, all modeled on violent deaths in films that he knows and loves, lead the police back to Cox, who starts to doubt his own sanity and innocence.With its stylish writing, pointed references to cinema classics, and blend of horror and humor, this is a powerful psychological thriller. It won the Diamond Bullet Award, the Edgar Award for Belgium.'We all know about life imitating art, but what about novels imitating film-film noir in particular? Patrick Conrad's No Sale (the words written in lipstick on a mirror by Gloria Wandrous, the Elizabeth Taylor character in Butterfield 8) is only the latest in a short list of crime fiction that draws on film noir for both plot and mood. It makes a peculiar kind of fictional sense that characters obsessed with film noir would find the worlds of the films they adore superimposed upon their personal lives. Make sure your subscription to Netflix is up-to-date before sampling this hypnotic novel.' Booklist'Imagine a metafiction serial-killer thriller written by Paul Auster on speed.When even the investigating cop sees himself as Dirty Harry, this amusing, teasing, film-crazy novel keeps you guessing through every reel.' Crime Time'Surprisingly zippy read which moves at a fair clip, the pace maintained by cinematic scene shifts and splashes of black humour. Who was it said that crime fiction in translation was never fun?That was probably me.' ShotsmagPatrick Conrad, born in 1945 in Antwerp, is a Flemish poet, screenwriter, film director, and novelist. He lives in Provence, in the south of France. Limousine, a previous novel, is being made into a film with Kelsey Grammar, to be released in 2012.The Lie
By Mike Mitchell, Petra Hammesfahr. 2003
"...One shares Susanne's belief that she must try to carry the deception off. Whether she will succeed keeps the reader,…
peering over Susanne's shoulder at all the traps, turning the pages of this remarkable book."--The Independent (UK)Praise for Petra Hammesfahr's The Sinner:"The Sinner is best psychological suspense novel I have read all year."--Daily Telegraph"Dubbed Germany's answer to Patricia Highsmith, Hammesfahr should win new fans with this novel."Publishers Weekly"Demonstrates why she is one of Germany's bestselling writers of crime and psychological thrillers. It's grim, delves deep into the human psyche, and keeps you gripped."The Times (London)Nadia and Susanne look uncannily alike, but one of the women is seriously rich and the other is destitute. When Nadia asks Susanne to spend the weekend with her husband so that she can sneak off with a lover, how can Susanne refuse the outrageous payment on offer? Nadia and her husband barely speak to each other and he will be working most of the weekend. Easy money, or so it seems.One Friday afternoon Susanne drives Nadia's Alfa to her beautiful suburban villa with its indoor pool and glass doors opening onto the sloping lawn. This first stay is followed by others, as an apparently harmless game becomes a deadly web of lies.Petra Hammesfahr, born in 1951, has not had an easy life: she left school at thirteen and became pregnant by an alcoholic husband at seventeen. She published her first novel when she was forty and has since written over twenty crime and suspense novels. Petra also writes scripts for television and film. She has won numerous literary prizes, including the Crime Prize of Wiesbaden and the Rhineland Literary Prize.The Last Wolf & Herman
By George Szirtes, John Batki, László Krasznahorkai. 2016
Two short masterworks by the most recent winner of the Man Booker International Prize: here, in miniature, is every reason…
why he won The Last Wolf, translated by George Szirtes, features a classic, obsessed Krasznahorkai narrator, a man hired to write (by mistake, by a glitch of fate) the true tale of the last wolf of Extremadura, a barren stretch of Spain. This miserable experience (being mistaken for another, dragged about a cold foreign place, appalled by a species' end) is narrated--all in a single sentence--as a sad looping tale, a howl more or less, in a dreary wintry Berlin bar to a patently bored bartender. The Last Wolf is Krasznahorkai in a maddening nutshell--with the narrator trapped in his own experience (having internalized the extermination of the last creature of its kind and "locked Extremadura in the depths of his own cold, empty, hollow heart")--enfolding the reader in the exact same sort of entrapment to and beyond the end, with its first full-stop period of the book. Herman, "a peerless virtuoso of trapping who guards the splendid mysteries of an ancient craft gradually sinking into permanent oblivion," is asked to clear a forest's last "noxious beasts." In Herman I: the Game Warden, he begins with great zeal, although in time he "suspects that maybe he was 'on the wrong scent.'" Herman switches sides, deciding to track entirely new game... In Herman II: The Death of a Craft, the same situation is viewed by strange visitors to the region. Hyper-sexualized aristocratic officers on a very extended leave are enjoying a saturnalia with a bevy of beauties in the town nearest the forest. With a sense of effete irony, they interrupt their orgies to pitch in with the manhunt of poor Herman, and in the end, "only we are left to relish the magic bouquet of this escapade..." Translated by John Batki.Fugitive Kind
By Tennessee Williams, Allean Hale. 2001
Social outcasts, misfit survivors, dangerous passions—Tennessee Williams fleshed out the characters and themes that would dominate his later work in…
Fugitive Kind, one of his earliest plays. Fugitive Kind, one of Tennessee Williams's earliest plays, is one of his richest in dramatic material. Written in 1937 when the playwright was still Thomas Lanier Williams, Fugitive Kind introduces the character who will inhabit most of his later plays: the marginal man or woman who, through no personal fault, is a misfit in society but who demonstrates an admirable will to survive. Signature Tennessee Williams' characters, situations, and even the title (which was used as The Fugitive Kind for the 1960 film based on Orpheus Descending) have their genesis here. At age twenty-six, Williams was still learning his craft and this, his second full-length play, shows his debt to sources as diverse as thirties gangster films (The Petrified Forest, Winterset) and Romeo and Juliet. Fugitive Kind, with its star-crossed lovers and big city slum setting, takes place in a flophouse on the St. Louis waterfront in the shadow of Eads Bridge, where Williams spent Saturdays away from his shoe factory job and met his characters: jobless wayfarers on the dole, young writers and artists of the WPA, even gangsters and G-men. Fugitive Kind was also Williams's second play to be produced by The Mummers, a St. Louis theatre group devoted to drama of social protest. Called "vital and absorbing" by a contemporary review in The St. Louis Star-Times, this play reveals the young playwright's own struggle between his radical-socialist sympathies and his poetic inclinations, and signals his future reputation as our most compassionate lyric dramatist.Spring Storm
By Tennessee Williams, Dan Isaac. 1999
"A crucible of so many elements that would later shape and characterize Williams's work."--World Literature Today When Tennessee Williams read…
Spring Storm aloud to his playwriting class at the University of Iowa in 1938, he was met with silence and embarrassment. His professor, the renowned E. C. Mabie, remarked as he got up and dismissed the seminar, "Well, we all have to paint our nudes!" Tom's earlier comment in his journal that the play "is well-constructed, no social propaganda, and is suitable for the commercial stage" seems accurate enough in 1999, but woefully naive deep in the Depression when the play's sexual explicitness--particularly its matter-of-fact acceptance of a woman's right to her own sexuality--would have been seen as not only shocking but also politically radical. Spring Storm would later be disavowed by the author as "simply a study of Sex--a blind animal urge or force (like the regenerative force of April) gripping four lives and leading them into a tangle of cruel and ugly relations." But the solid and deft characterizations of the four young people whose lives intertwine--the sexually alive Heavenly Critchfield, her earthy lover Dick Miles, Heavenly's wealthy but tongue-tied admirer Arthur Shannon, and the repressed librarian Hertha Nielson who loves Arthur--are archetypes of characters we will meet again and again in the Williams canon. Epic in scope, a bit melodramatic in execution, tragic in outcome, Spring Storm created a wave of excitement among theatre insiders when it was given a staged reading at The Ensemble Studio Theatre's Octoberfest '96. This edition has been prepared, with an illuminating introduction, by Dan Isaac, who initiated the Octoberfest production.Clothes for a Summer Hotel: Play
By Tennessee Williams. 1983
This late play by Tennessee Williams explores the troubled relationship between F. Scott and Zelda Fitzgerald. The late Tennessee Williams's…
Clothes for a Summer Hotelmade its New York debut in 1980. Here Scott and Zelda Fitzgerald, often seen as symbols of the doomed youth of the jazz age, become two halves of a single creative psyche, each part alternately feeding and then devouring the other. Set in Highland Hospital near Asheville, North Carolina, where Zelda spent her last confinement, this "ghost play" begins several years after Scott's death of a heart attack in California. But the past is "still always present" in Zelda, and Williams's constant shifting of chronology and mixing of remembrance with ghostly re-enactment suggest that our real intimacy is with the shadow characters of our own minds. As Williams said in the Author's Note to the Broadway production: "Our reason for taking extraordinary license with time and place is that in an asylum and on its grounds liberties of this kind are quite prevalent: and also these liberties allow us to explore in more depth what we believe is truth of character." Williams poses the inevitable, unanswerable questions: Did Scott prevent Zelda from achieving an independent creativity? Did Zelda's demands force Scott to squander his talents and turn to alcohol? Whose betrayal--emotional, creative, sexual--destroyed the other? But he poses these questions in a new way: in the act of creation, Zelda and Scott are now aware of their eventual destruction, and the creative fire that consumed two artists combines symbolically with the fire that ended Zelda's life.Now the Cats With Jeweled Claws & Other One-Act Plays
By Tennessee Williams, Thomas Keith. 1982
"The peak of my virtuosity was in the one-act plays--like firecrackers in a rope." --Tennessee Williams This new collection of…
fantastic, lesser-known one-acts contains some of Williams's most potent, comical and disturbing short plays?Upper East Side ladies dine out during the apocalypse in Now the Cats With Jeweled Claws, while the poet Hart Crane is confronted by his mother at the bottom of the ocean in Steps Must Be Gentle. Five previously unpublished plays include A Recluse and His Guest, and The Strange Play, in which we witness a woman's entire life lived within a twenty-four-hour span. This volume is edited, with an introduction and notes, by the editor, acting teacher, and theater scholar Thomas Keith.The Russian Passenger
By John Brownjohn, Gunter Ohnemus. 2004
"At fifty the good Buddhist takes to the road, leaving all his belongings behind. His sole possession is a begging…
bowl. That's how it should be. The problem was, there were four million dollars in my begging bowl and the mafia were after me. It was their money. They wanted it back, and they also wanted the girl, the woman who was with me: Sonia Kovalevskaya".Not only a thriller about murder and big money but also a powerful evocation of the cruel history that binds Russia and Germany.Günter Ohnemus, born in 1946, lives in Munich and writes novels, essays and translations. This is his first novel to be translated into English.