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Showing 1 - 20 of 122 items
By Langston Hughes. 1995
By Virgil, Robert Fagles. 2006
Epic Latin poem composed by Virgil during the last ten years of his life, 29 to 19 B.C.E. Beginning with…
the legend of Aeneas, a Trojan hero who founded a settlement in Italy, celebrates the Roman Empire's expansion and the achievements of Emperor Augustus. Verse translation by Robert Fagles. 2006By Gustave Flaubert, Gerard Manley Hopkins. 1999
A young middle-class Frenchwoman, Emma Bovary, is bored with her husband (an inept doctor) and their country existence. Her romantic…
fantasies lead her astray, into adultery and self-destruction. Translated by Gerard Hopkins. Originally published in 1857By William Golding, Clarice Swisher. 1997
By Herman Melville, Geraldine McCaughrean, Victor G. Ambrus. 1998
A classic sea adventure. Ishmael recounts the last voyage of the whaling ship Pequod and how the one-legged Captain Ahab…
is obsessed with finding the white whale Moby Dick. A retelling of Herman Melville's novel originally published in 1851. For grades 5-8By Howard Fast, Theodore Dreiser. 1989
Although Dreiser worked as a newspaperman in St. Louis, Chicago, Pittsburgh, and New York, he is best remembered for his…
fiction. This collection of his short stories includes "The Shadow," "The Old Neighborhood," and "The Prince Who Was a Thief."By Cooper Edens. 2009
Western adventures of explorers, cowboys, and Indians are commemorated in poems, songs, and stories. Includes folk legends of Pecos Bill…
and Paul Bunyan, and real-life exploits of Lewis and Clark and Daniel Boone. For grades 5-8 and older readers. 2009By Mark Twain. 1980
A humorous account loosely based on the celebrated author's life during the years 1861-1867. Mark Twain tries his hand at…
prospecting, speculating, laboring, and, more successfully, reporting. His exaggerated adventures take him across the frontier plains to California and then to Hawaii. 1962 foreword by Leonard Kriegel. 1872By Laura Wilder. 1943
Laura Ingalls and Almanzo Wilder, the town's most eligible bachelor, enjoy a delightful romance while Laura teaches school. When her…
last term ends, they marry and look forward to a long and happy life together. Sequel to Little Town on the Prairie (BR 11326). For grades 5-8 and older readersBy Laura Wilder. 1953
The Ingalls family moves from their stake on the Dakota prairie to their store in town to escape the severe…
winter. One blizzard follows another until trains stop running and the community, isolated for months, faces starvation. Sequel to By the Shores of Silver Lake (BR 11324). For grades 4-7By Laura Wilder. 1941
In 1881 Mary, who is blind, is finally able to leave for college, and Laura gets a job in town…
helping a seamstress. She also continues her schooling so she can receive her teaching certificate. Sequel to The Long Winter (BR 11325). For grades 4-7By Laura Wilder. 1939
The Ingalls family moves westward once more, this time to the Dakota territory, where Pa finds a job in a…
railroad camp and the family takes up a homestead. Sequel to On the Banks of Plum Creek (BR 11323). For grades 4-7 and older readersBy Laura Wilder, Garth Williams. 1953
Wisconsin, 1871. The Ingalls family experiences pioneer life in a little log house, miles from any settlement. They feel safe…
and secure despite blizzards, wolves, and the loneliness of the big woods. Prequel to Little House on the Prairie (DB 10929). For grades 4-7 and older readers. 1932By Laura Wilder. 1953
The pioneering Ingalls family leaves the prairie for a farm and a primitive sod hut in Minnesota, where they must…
battle a flood, a blizzard, and a devastating plague of grasshoppers. Sequel to Little House on the Prairie (BR 10510). For grades 4-7 and older readersBy Laura Wilder, Garth Williams. 1971
The story of Laura and Almanzo Wilder and their first years together on a homestead on the Dakota prairie in…
the late 1800s. This story follows "These Happy Golden Years" (DB 21200). For grades 4-7 and older readersBy Laura Wilder. 1935
A family moves westward from Wisconsin in a covered wagon and builds a cabin on the Kansas prairie right in…
Indian territory. Sequel to Little House in the Big Woods (BR 4442). For grades 4-7By Alexander Aciman, Emmett Rensin. 1990
Perhaps while reading Shakespeare you've asked yourself, What exactly is Hamlet trying to tell me? Why must he mince words…
and muse in lyricism and, in short, whack about the shrub? But if the Prince of Denmark had a Twitter account and an iPhone, he could tell his story in real time--and concisely! Hence the genius of Twitterature. Hatched in a dorm room at the brain trust that is the University of Chicago, Twitterature is a hilarious and irreverent re-imagining of the classics as a series of 140-character tweets from the protagonist. Providing a crash course in more than eighty of the world's best-known books, from Homer to Harry Potter, Virgil to Voltaire, Tolstoy to Twilight and Dante to The Da Vinci Code. It's the ultimate Cliffs Notes. Because as great as the classics are, who has time to read those big, long books anymore? Sample tweets: From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN??? From the Harry Potter series: Oh man big tournament at my school this year!! PSYCHED! I hope nobody dies this year, and every year as if by clockwork. From The Great Gatsby: Gatsby is so emo. Who cries about his girlfriend while eating breakfast...IN THE POOL?By Esteban Echeverría. 2018
Edición definitiva de dos textos fundacionales de la literatura argentina (El matadero es considerado el primer cuento argentino), con prólogo…
del escritor y crítico literario Martín Kohan, y nota preliminar a cargo de Alejandra Laera. «Ella va. Toda es oídos; / sobre salvajes dormidos / va pasando; escucha, mira, / se para, apenas respira, / y vuelve de nuevo a andar. / Ella marcha, y sus miradas / vagan en torno azoradas, / cual si creyesen ilusas / en las tinieblas confusas / mil espectros divisar.»La cautiva La cautiva y El matadero ocupan un lugar fundacional en la literatura argentina. Escritos por Esteban Echeverría a fines de la década de 1830, en ellos se diseña, respectivamente, el espacio del desierto inabarcable y el de la violencia política, dos motivos que recorren la poesía y la narrativa de todo el siglo XIX. La cautiva utiliza los recursos del Romanticismo para idealizar la civilización, corporizada en la protagonista, y demonizar al indio, haciendo de la frontera la cifra del encuentro con el Otro. En cambio, el lenguaje crudo de El matadero -publicado de manera póstuma y considerado con el tiempo el primer cuento argentino- pone en escena el enfrentamiento social y, con su crítica al rosismo, inaugura el uso político de la ficción. «Para Esteban Echeverría [...] la cultura popular adquiere ese doble signo: recelo ideológico y seducción estética. No obstante, en El matadero esta cuestión asume una inflexión particular; porque la cultura popular se despliega en él bajo su forma más crispada e intensa: la de la violencia.»Del prólogo de Martín KohanBy Lucio V. Mansilla. 2018
Edición definitiva del clásico de Lucio V. Mansilla, con prólogo de Alan Pauls y nota preliminar a cargo de Alejandra…
Laera. «Si me hubieran dicho que los indios me iban a enseñar a conocer la humanidad, una carcajada homérica habría sido mi contestación. Como Gulliver, en su viaje a Liliput, yo he visto al mundo tal cual es en mi viaje a los ranqueles.» Originariamente publicadas como folletín, en 1870, en el diario La Tribuna, las cartas que componen este libro son el particular relato de la expedición de Lucio V. Mansilla Tierra Adentro y de su encuentro con los indios ranqueles. Con una minuciosidad por momentos cercana a la obsesión, en ellas el autor toma nota de los detalles de la geografía pampeana y describe lúcidamente los hábitos, costumbres y comportamientos del mundo indígena, ese gran Otro de la literatura argentina. Una excursión a los indios ranqueles no solo es la historia del contacto entre dos culturas, sino un clásico que, escrito con anterioridad a la constitución del Estado, supo advertir en la nación todas sus fatales contradicciones. «Pero pronto el desierto empieza a poblarse, primero con los ranqueles, luego con lo que Mansilla hace con ellos, ve en ellos, piensa y escribe sobre ellos [...] forzado a menudo a constatar, no sin perplejidad, las diversas lecciones de civilización que los ranqueles tienen para dar a los cristianos».Alan PaulsBy Don Beecher. 2012
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480-c. 1557)…
is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for 'mature readers' and seventeen proto-fairy tales. Nearly all of these stories, including classics such as 'Puss in Boots,' made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years.This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text.As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories.Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher's academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.