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Showing 1 - 20 of 33 items
By Langston Hughes. 1995
By Laura Wilder. 1943
Laura Ingalls and Almanzo Wilder, the town's most eligible bachelor, enjoy a delightful romance while Laura teaches school. When her…
last term ends, they marry and look forward to a long and happy life together. Sequel to Little Town on the Prairie (BR 11326). For grades 5-8 and older readersBy Laura Wilder. 1953
The Ingalls family moves from their stake on the Dakota prairie to their store in town to escape the severe…
winter. One blizzard follows another until trains stop running and the community, isolated for months, faces starvation. Sequel to By the Shores of Silver Lake (BR 11324). For grades 4-7By Laura Wilder. 1941
In 1881 Mary, who is blind, is finally able to leave for college, and Laura gets a job in town…
helping a seamstress. She also continues her schooling so she can receive her teaching certificate. Sequel to The Long Winter (BR 11325). For grades 4-7By Laura Wilder. 1939
The Ingalls family moves westward once more, this time to the Dakota territory, where Pa finds a job in a…
railroad camp and the family takes up a homestead. Sequel to On the Banks of Plum Creek (BR 11323). For grades 4-7 and older readersBy Laura Wilder, Garth Williams. 1953
Wisconsin, 1871. The Ingalls family experiences pioneer life in a little log house, miles from any settlement. They feel safe…
and secure despite blizzards, wolves, and the loneliness of the big woods. Prequel to Little House on the Prairie (DB 10929). For grades 4-7 and older readers. 1932By Laura Wilder. 1953
The pioneering Ingalls family leaves the prairie for a farm and a primitive sod hut in Minnesota, where they must…
battle a flood, a blizzard, and a devastating plague of grasshoppers. Sequel to Little House on the Prairie (BR 10510). For grades 4-7 and older readersBy Laura Wilder, Garth Williams. 1971
The story of Laura and Almanzo Wilder and their first years together on a homestead on the Dakota prairie in…
the late 1800s. This story follows "These Happy Golden Years" (DB 21200). For grades 4-7 and older readersBy Laura Wilder. 1935
A family moves westward from Wisconsin in a covered wagon and builds a cabin on the Kansas prairie right in…
Indian territory. Sequel to Little House in the Big Woods (BR 4442). For grades 4-7By James Machin. 2018
This book is the first study of how weird fiction emerged from Victorian supernatural…
literature abandoning the more conventional Gothic horrors of the past for the contemporary weird tale It investigates the careers and fiction of a range of the British writers who inspired H P Lovecraft such as Arthur Machen M P Shiel and John Buchan to shed light on the tensions between literary and genre fiction that continue to this day Weird Fiction in Britain 1880 1939 focuses on the key literary and cultural contexts of weird fiction of the period including Decadence paganism and the occult and discusses how these later impacted on the seminal American pulp magazine Weird Tales This ground-breaking book will appeal to scholars of weird horror and Gothic fiction genre studies Decadence popular fiction the occult and Fin-de-Si cle cultural historyBy Alexander Aciman, Emmett Rensin. 1990
Perhaps while reading Shakespeare you've asked yourself, What exactly is Hamlet trying to tell me? Why must he mince words…
and muse in lyricism and, in short, whack about the shrub? But if the Prince of Denmark had a Twitter account and an iPhone, he could tell his story in real time--and concisely! Hence the genius of Twitterature. Hatched in a dorm room at the brain trust that is the University of Chicago, Twitterature is a hilarious and irreverent re-imagining of the classics as a series of 140-character tweets from the protagonist. Providing a crash course in more than eighty of the world's best-known books, from Homer to Harry Potter, Virgil to Voltaire, Tolstoy to Twilight and Dante to The Da Vinci Code. It's the ultimate Cliffs Notes. Because as great as the classics are, who has time to read those big, long books anymore? Sample tweets: From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN??? From the Harry Potter series: Oh man big tournament at my school this year!! PSYCHED! I hope nobody dies this year, and every year as if by clockwork. From The Great Gatsby: Gatsby is so emo. Who cries about his girlfriend while eating breakfast...IN THE POOL?By Amado Nervo. 2017
La primera novela de Amado Nervo, El bachiller, representa el inicio de una fértil carrera literaria, mientras que en El…
donador de almas el lector se sorprenderá con un radical giro en su narrativa. "Debía dormir también allá en el fondo misterioso del biselado cristal, con un sueño levísimo de fantasma..." Amado Nervo, reconocido poeta, fue también diplomático, cronista y un extraordinario narrador. Aclamado por ser uno de los poetas modernistas mexicanos más importantes, su obra en prosa irradia la misma fuerza que sus poemas. Presentamos por primera vez en un solo volumen tres novelas fundamentales y poco difundidas para comprender la evolución narrativa del autor, así como las distintas facetas que abarcó su producción -desde la influencia romántica de El bachiller hasta los rasgos fantásticos de El donador de almas-, seguidas de una selección de susmejores cuentos. La edición de las obras aquí reunidas se realizó a partir de las últimas versiones publicadas o reescritas por Amado Nervo. Selección, prólogo, notas y cronología a cargo de Gustavo Jiménez Aguirre, doctor en Letras por la UNAM y especialista en la obra de Nervo.By Frederick Douglass, Peter J. Gomes, Gregory Stephens. 1997
Born into a life of bondage, Frederick Douglass secretly taught himself to read and write. It was a crime punishable…
by death, but it resulted in one of the most eloquent indictments of slavery ever recorded. His gripping narrative takes us into the fields, cabins, and manors of pre-Civil War plantations in the South and reveals the daily terrors he suffered as a slave. Written more than a century and a half ago by an African-American who went on to become a famous orator, U.S. minister to Haiti, and leader of his people, this timeless classic still speaks directly to our age. It is a record of savagery and inhumanity that goes far to explain why America still suffers from the great injustices of the past. With an Introduction by Peter J. Gomes and an Afterword by Gregory StephensBy Frederick Douglass, Peter Gomes, Gregory Stephens. 1997
Born into a life of bondage, Frederick Douglass secretly taught himself to read and write. It was a crime punishable…
by death, but it resulted in one of the most eloquent indictments of slavery ever recorded. His gripping narrative takes us into the fields, cabins, and manors of pre-Civil War plantations in the South and reveals the daily terrors he suffered as a slave. Written more than a century and a half ago by an African-American who went on to become a famous orator, U.S. minister to Haiti, and leader of his people, this timeless classic still speaks directly to our age. It is a record of savagery and inhumanity that goes far to explain why America still suffers from the great injustices of the past. With an Introduction by Peter J. Gomes and an Afterword by Gregory StephensBy Jeffrey Weinstock. 2018
With well over one-hundred episodes, the podcast Welcome to Night Vale has spawned several international live tours, two novels set…
in the Night Vale universe, and an extensive volume of fan fiction and commentary. However, despite its immense popularity, Welcome to Night Vale has received almost no academic scrutiny. This edited collection of scholarly essays—the very first of its kind on a podcast—attempts to redress this lack of attention to Night Vale by bringing together an international group of scholars from different disciplines to consider the program’s form, themes, politics, and fanbase. After a thorough introduction by the volume’s editor, Jeffrey Andrew Weinstock, the eight contributors not only offer close analysis of Night Vale, but use the program as the impetus for broader explorations of new media, gender, the constitution of identity, the construction of place, and the human relationship to meaning and the non-human.By Tania Modleski, Valerie Taylor. 1959
Annice, Pat, and Barby are best friends from Iowa, freshly arrived in booming 1950s Chicago to explore different paths toward…
independence, self--expression, and sexual freedom. From the hip-hang of a bohemian lifestyle to the sophisticated lure of romance with a handsome, wealthy, married boss to the happier security of a lesbian relationship, these three experience firsthand the dangers and limitations of women's economic -reliance on men. Well-known lesbian pulp author Valerie Taylor skillfully paints a sociological portrait of the emotional and economic pitfalls of heterosexuality in 1950s America-and then offers a defiantly subversive alternative. A classic pulp tale showcasing predatory beatnik men, drug hallucinations, and secret lesbian trysts, The Girls in 3-B approaches the theme of sex from the stiffened vantage point of 1950s psychology.Femmes Fatales restores to print the best of women's writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series: Bedelia; The Blackbirder; Bunny Lake Is Missing; By Cecile; The G-String Murders; The Girls in 3-B; In a Lonely Place; Laura; Mother Finds a Body; Now, Voyager; Skyscraper; Stranger on Lesbos; Women's Barracks.By Richard Wright. 1945
Richard Wright grew up in the woods of Mississippi, with poverty, hunger, fear, and hatred. He lied, stole, and raged…
at those around him; at six he was a "drunkard," hanging about taverns. Surly, brutal, cold, suspicious, and self-pitying, he was surrounded on one side by whites who were either indifferent to him, pitying, or cruel, and on the other by blacks who resented anyone trying to rise above the common lot. Black Boy is Richard Wright's powerful account of his journey from innocence to experience in the Jim Crow South. It is at once an unashamed confession and a profound indictment-a poignant and disturbing record of social injustice and human suffering. [This text is listed as an example that meets Common Core Standards in English language arts in grades 11-12 at http://www.corestandards.org.]By Clive Bloom. 2020
“Simply put, there is absolutely nothing on the market with the range of ambition of this strikingly eclectic collection of…
essays. Not only is it impossible to imagine a more comprehensive view of the subject, most readers – even specialists in the subject – will find that there are elements of the Gothic genre here of which they were previously unaware.” - Barry Forshaw, Author of British Gothic Cinema and Sex and Film The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark past whilst anticipating the future. From demons and monsters to post- apocalyptic fears and ecological fantasies, Gothic is thriving as never before in the arts and in popular culture. This volume is made up of 62 comprehensive chapters with notes and extended bibliographies contributed by scholars from around the world. The chapters are written not only for those engaged in academic research but also to be accessible to students and dedicated followers of the genre. Each chapter is packed with analysis of the Gothic in both theory and practice, as the genre has mutated and spread over the last hundred years. Starting in 1918 with the impact of film on the genre's development, and moving through its many and varied international incarnations, each chapter chronicles the history of the gothic milieu from the movies to gaming platforms and internet memes, television and theatre. The volume also looks at how Gothic intersects with fashion, music and popular culture: a multi-layered, multi-ethnic, even a trans-gendered experience as we move into the twenty first century.By Ruth Heholt, Holly-Gale Millette. 2020
This collection explores global dystopic, grotesque and retold narratives of degeneration, ecological and economic ruin, dystopia, and inequality in contemporary…
fictions set in the urban space. Divided into three sections—Identities and Histories, Ruin and Residue, and Global Gothic—The New Urban Gothic explores our anxieties and preoccupation with social inequalities, precarity and the peripheral that are found in so many new fictions across various media. Focusing on non-canonical Gothic global cities, this distinctive collection discusses urban centres in England’s Black Country, Moscow, Detroit, Seoul, Hong Kong, Bangkok, Singapore, Dehli, Srinigar, Shanghai and Barcelona as well as cities of the imaginary, the digital and the animated. This book will appeal to anyone interested in the intersections of time, place, space and media in contemporary Gothic Studies. The New Urban Gothic casts reflections and shadows on the age of the Anthropocene.By Clive Bloom. 2021
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties…
of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.