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Parenting, Pregnancy and childbirth, General non-fiction
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Is breast really best? Breastfeeding is widely assumed to be the healthiest choice, yet growing evidence suggests that its benefits…
have been greatly exaggerated. New moms are pressured by doctors, health officials, and friends to avoid the bottle at all costs--often at the expense of their jobs, their pocketbooks, and their well-being. In Lactivism, political scientist Courtney Jung offers the most deeply researched and far-reaching critique of breastfeeding advocacy to date. Drawing on her own experience as a devoted mother who breastfed her two children and her expertise as a social scientist, Jung investigates the benefits of breastfeeding and asks why so many people across the political spectrum are passionately invested in promoting it, even as its health benefits have been persuasively challenged. What emerges is an eye-opening story about class and race in America, the big business of breastfeeding, and the fraught politics of contemporary motherhood.Faubourg Psychédélique: David Bowie et le Beckenham Arts Lab
By Mary Finnigan. 2019
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Actors biography, Music
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Ceci est la traduction française de Psychédélic Suburbia - traduit par Faubourg Psychédélique, écrit par Mary Finnigan, relatant sa relation…
avec le chanteur David Bowie et les premières étapes de sa carrière à Beckenham (banlieue sud de Londres) avant qu’il ne devienne une des pop stars mondiales le plus emblématiques.La famille Fermanian: L’histoire du cinéma Pine de Sainte-Adèle (Biographies et mémoires #9)
By Stéphane Desjardins. 2022
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Actors biography, Historical biography, Canadian non-fiction
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In 1948, penniless immigrant Philip Fermanian opened the Cinema Pine in Saint-Adèle, a movie theatre that would hold a unique…
place in the North American film industry. In this book, author Stéphane Desjardins tells the story of the Fermanian family, whose patriarch left Turkey during the Armenian genocide of the 1920s and settled in the Pays-d’en-Haut, where he hoped to farm the land. Stuck with a rocky plot of land, the Fermanians had to earn a living by the sweat of their brow and reinvented themselves by selling produce. The story takes an unexpected turn when a young woman from Saint-Adèle named Aurore (you cannot make this stuff up), accepts to marry Philip Fermanian on one condition: he will open a movie theatre. Their union produces two sons, only one of whom, Tom, will survive. Tom grows up in the family apartment above the movie theatre, his childhood resembling that of the Salvatore character in the film Cinema Paradiso. The Fermanians’ story evokes various important events in Saint-Adèle’s history, and the author’s references to the films shown at The Pine are a nod to the film industry and its stars.