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By Roy Kesey. 2013
Following the critical success of his debut collection, All Over, and of his debut novel, Pacazo, Roy Kesey now brings…
us a new gathering of short stories, Any Deadly Thing. These stories first appeared in magazines including McSweeney's, Subtropics, Ninth Letter and American Short Fiction, and have been widely anthologized; among them are winners of a Pushcart Prize special mention, an Honorable Mention in The Year's Best Fantasy and Horror, and The Missouri Review's Jeffrey E. Smith Editors' Prize in Fiction. With story locales ranging across the Americas to Europe and Asia, Kesey once again makes the full strange world his stage. "Perfect, masterful portraits of an international cross-section of wise, broken souls--hopeful, brutal, funny as hell, and heart-crushing, every last one." -Elizabeth Crane, author of We Only Know So Much "Roy Kesey is one of my favorite contemporary writers, and Any Deadly Thing is another triumph. These stories, reminiscent of William Gass in the remarkable way they combine a virtuoso playfulness and wit with an atmosphere of grimness and grief and heartbreak, range the world over for their brilliantly realized locales, but they share a deeper setting in what Gass calls 'the only holiness we have,' human consciousness. Kesey demonstrates once again that he is a spectacularly deft and empathetic priest of that creed, which is the only one for me." -Michael Griffith, author of TrophyBy G G Vega. 2018
Verità sul narcotraffico e la lotta nel mondo contro questo sistema illegale. Scrivendo questo libro riguardo un tema così delicato,…
di un sistema sociale così potente economicamente e altresì ambiguo, lo scopo prefissato è quello di dare le migliori informazioni possibili riguardo la situazione globale, nella maniera più sintetica possibile affinché il lettore possa farsi un’idea generale riguardo il tema e trarre le proprie conclusioni, nonostante l’obiettivo del libro stesso non sia quello di smascherare i colpevoli, dato che sarebbe talmente complesso che porterebbe ad un groviglio confuso riguardo un sistema che affetta tutti i livelli sociali. L’obiettivo primario del libro non è dunque quello di denunciare il narcotraffico, bensì quello di onorare il valore di coloro che hanno focalizzato le loro vite combattendo contro un sistema considerato altamente dannoso per la salute pubblica. Al giorno d'oggi, il narcotraffico è un problema che colpisce direttamente più di 50 paesi in tutto il mondo, ed una delle nazioni maggiormente invase, è allo stesso tempo una delle più potenti al mondo, ossia gli Stati Uniti d'America. Nel 2012, gli Stati Uniti d'America hanno investito più di 1.000 milioni di dollari esclusivamente per combattere il narcotraffico in Colombia ed in Messico, anche se negli ultimi anni hanno ridotto un po’ la cifra. Il Messico per la sua personale lotta al narcotraffico ha speso in 10 anni 50.000 milioni di dollari e, dal 2007, 200.000 persone sono state assassinate da parte di bande narcotrafficanti. Già nel 2014, il narcotraffico faceva girare più di 320.000 milioni di dollari nel mondo. Dal 2008, gli Stati Uniti hanno contribuito attraverso l'Iniziativa Mérida, con una cifra vicina al 1.405 milioni di Euro (il Congresso ha accettato altri 937 milioni di Euro). Dalla sua parte, il Messico, dal 2007, ha speso, più o meno, 50.600 milioni di Euro per la sicurezza e la difesa. È stato altresBy G G Vega. 2018
O propósito deste livro é dar-te uma visão de um certo grau da realidade do mundo do narcotráfico, uma informação…
básica e essencial e a história de uma operação em território Paraguaio, na fronteira com o Brasil, das Forças Especiais Comandos Sombra. Não é muito extenso mas é muito rico e educativo em conteúdo.By Pedro Sorela. 2002
Pedro Sorela emprende en estas páginas su viaje más largo: la distancia que separa un cuento de su historia. Estos…
cuentos son invisibles porque invisible es el lenguaje de la literatura, que no se puede filmar. También porque tratan de viajes, y el viaje es lo que se encuentra detrás de los ojos, no delante, y -al igual que la literatura- hace posible que de nuestra visión del mundo hagamos una creación. De una represa de aguas milenarias en la cima de los Andes a un motín de blancos en un río chino, de una persecución en Londres al renacimiento de un pobre tipo en Estambul, de una reunión de extravagantes en Helsinki a un Berlín improbable y sin embargo histórico, de un Madrid inédito a un Buenos Aires francés, los cuentos de Pedro Sorela ponen en evidencia el lado mentiroso de los pasaportes. Con humor y un idioma afilado, estos cuentos amplían el arco de una obra definida por la originalidad de la mirada y la sugerencia inherente a su doble condición de literatura y viaje. Reseñas:«Una experiencia humana intensa [...] un periplo abarcador de la existencia humana en el que entran componentes culturales, morales y hasta políticos, éstos no explícitos pero sí intencionados».Santos Sans Villaneva, El Cultural «Los relatos de Sorela prueban que ha viajado lo bastante para, como hubiera dicho Valle-Inclán, no ser arrogante cuando bien podría serlo».Víctor Andresco, El PaísBy Henry Miller, Lawrence Durrell. 1969
A collection of works spanning the entire career of great 20th-century American writer Henry Miller, edited and introduced by Lawrence…
Durrell. In 1958, when Henry Miller was elected to membership in the American Institute of Arts and Letters, the citation described him as: "The veteran author of many books whose originality and richness of technique are matched by the variety and daring of his subject matter. His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller’s contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller’s life work. "I suspect," writes Durrell in his Introduction, "that Miller’s final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller’s birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.By Tim McLoughlin. 2022
An enthralling collection of short fiction and nonfiction that draw upon McLoughlin's three-decade career in the criminal justice system. In…
Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing. An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car. In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to. A recurring theme in his urban, often New York–centric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin’s ghosts, these casualties of progress, and he holds them dear and celebrates them.