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By Morris Panych. 2012
Four seasons after her husband Tom's disappearance, Colette remains emotionally paralyzed, isolated in a country cottage. She waits in anguish,…
not knowing whether he is dead or alive, but clinging to hope. A young stranger in a jean jacket waves to her from the frozen lake - a sign? She emerges to give him her husband's parka - strangely, the boy has a likeness to Tom.What is the stranger's connection to her geologist husband, kidnapped more than a year before by leftist guerrillas in Colombia? How does this slyly seductive young stranger happen to show up at her home in rural Ontario, thousands of miles away? He seems to know more about Colette than he should, and as he slowly insinuates himself into her life, Colette's attentive sister, Evelyn, and her helpful neighbor Bill become increasingly alarmed.Part mystery, part moving story of vanished love, In Absentia explores the notion of disappearance, articulated in very personal terms. Through the tough, time-shifting action of the play, Colette reflects on her marriage and past love, offering rich associative memories while also uncovering the hidden and inaccessible - that which is made to disappear from view.Guilt and grief, infidelity and infertility, loss and longing are the deeper subjects Panych explores here. At the same time, the play examines the desire to make connections in life - thoughts to deeds, intentions to outcomes - in scenes often enlivened by the playwright's trademark humor.Cast of 3 men and 2 women.By Don Bartlett, Karl Ove Knausgaard. 2016
The fifth installment in the epic six-volume My Struggle cycle is here, highly anticipated by Karl Ove Knausgaard's dedicated fan…
club--and the first in the cycle to be published separately in Canada.The young Karl Ove moves to Bergen to attend the Writing Academy. It turns out to be a huge disappointment: he wants so much, knows so little, and achieves nothing. His contemporaries have their manuscripts accepted and make their debuts while he begins to feel the best he can do is to write about literature. With no apparent reason to feel hopeful, he continues his exploration of and love for books and reading. Gradually his writing changes; his relationship with the world around him changes too. This becomes a novel about new, strong friendships and a serious relationship that transforms him until the novel reaches the existential pivotal point: his father dies, Karl Ove makes his debut as a writer and everything disintegrates. He flees to Sweden, to avoid family and friends.By Tennessee Williams, Allean Hale. 2001
Social outcasts, misfit survivors, dangerous passions—Tennessee Williams fleshed out the characters and themes that would dominate his later work in…
Fugitive Kind, one of his earliest plays. Fugitive Kind, one of Tennessee Williams's earliest plays, is one of his richest in dramatic material. Written in 1937 when the playwright was still Thomas Lanier Williams, Fugitive Kind introduces the character who will inhabit most of his later plays: the marginal man or woman who, through no personal fault, is a misfit in society but who demonstrates an admirable will to survive. Signature Tennessee Williams' characters, situations, and even the title (which was used as The Fugitive Kind for the 1960 film based on Orpheus Descending) have their genesis here. At age twenty-six, Williams was still learning his craft and this, his second full-length play, shows his debt to sources as diverse as thirties gangster films (The Petrified Forest, Winterset) and Romeo and Juliet. Fugitive Kind, with its star-crossed lovers and big city slum setting, takes place in a flophouse on the St. Louis waterfront in the shadow of Eads Bridge, where Williams spent Saturdays away from his shoe factory job and met his characters: jobless wayfarers on the dole, young writers and artists of the WPA, even gangsters and G-men. Fugitive Kind was also Williams's second play to be produced by The Mummers, a St. Louis theatre group devoted to drama of social protest. Called "vital and absorbing" by a contemporary review in The St. Louis Star-Times, this play reveals the young playwright's own struggle between his radical-socialist sympathies and his poetic inclinations, and signals his future reputation as our most compassionate lyric dramatist.By Tennessee Williams, Dan Isaac. 1999
"A crucible of so many elements that would later shape and characterize Williams's work."--World Literature Today When Tennessee Williams read…
Spring Storm aloud to his playwriting class at the University of Iowa in 1938, he was met with silence and embarrassment. His professor, the renowned E. C. Mabie, remarked as he got up and dismissed the seminar, "Well, we all have to paint our nudes!" Tom's earlier comment in his journal that the play "is well-constructed, no social propaganda, and is suitable for the commercial stage" seems accurate enough in 1999, but woefully naive deep in the Depression when the play's sexual explicitness--particularly its matter-of-fact acceptance of a woman's right to her own sexuality--would have been seen as not only shocking but also politically radical. Spring Storm would later be disavowed by the author as "simply a study of Sex--a blind animal urge or force (like the regenerative force of April) gripping four lives and leading them into a tangle of cruel and ugly relations." But the solid and deft characterizations of the four young people whose lives intertwine--the sexually alive Heavenly Critchfield, her earthy lover Dick Miles, Heavenly's wealthy but tongue-tied admirer Arthur Shannon, and the repressed librarian Hertha Nielson who loves Arthur--are archetypes of characters we will meet again and again in the Williams canon. Epic in scope, a bit melodramatic in execution, tragic in outcome, Spring Storm created a wave of excitement among theatre insiders when it was given a staged reading at The Ensemble Studio Theatre's Octoberfest '96. This edition has been prepared, with an illuminating introduction, by Dan Isaac, who initiated the Octoberfest production.By Tennessee Williams. 1983
This late play by Tennessee Williams explores the troubled relationship between F. Scott and Zelda Fitzgerald. The late Tennessee Williams's…
Clothes for a Summer Hotelmade its New York debut in 1980. Here Scott and Zelda Fitzgerald, often seen as symbols of the doomed youth of the jazz age, become two halves of a single creative psyche, each part alternately feeding and then devouring the other. Set in Highland Hospital near Asheville, North Carolina, where Zelda spent her last confinement, this "ghost play" begins several years after Scott's death of a heart attack in California. But the past is "still always present" in Zelda, and Williams's constant shifting of chronology and mixing of remembrance with ghostly re-enactment suggest that our real intimacy is with the shadow characters of our own minds. As Williams said in the Author's Note to the Broadway production: "Our reason for taking extraordinary license with time and place is that in an asylum and on its grounds liberties of this kind are quite prevalent: and also these liberties allow us to explore in more depth what we believe is truth of character." Williams poses the inevitable, unanswerable questions: Did Scott prevent Zelda from achieving an independent creativity? Did Zelda's demands force Scott to squander his talents and turn to alcohol? Whose betrayal--emotional, creative, sexual--destroyed the other? But he poses these questions in a new way: in the act of creation, Zelda and Scott are now aware of their eventual destruction, and the creative fire that consumed two artists combines symbolically with the fire that ended Zelda's life.By Tennessee Williams, Thomas Keith. 1982
"The peak of my virtuosity was in the one-act plays--like firecrackers in a rope." --Tennessee Williams This new collection of…
fantastic, lesser-known one-acts contains some of Williams's most potent, comical and disturbing short plays?Upper East Side ladies dine out during the apocalypse in Now the Cats With Jeweled Claws, while the poet Hart Crane is confronted by his mother at the bottom of the ocean in Steps Must Be Gentle. Five previously unpublished plays include A Recluse and His Guest, and The Strange Play, in which we witness a woman's entire life lived within a twenty-four-hour span. This volume is edited, with an introduction and notes, by the editor, acting teacher, and theater scholar Thomas Keith.By Amy Herzog. 2014
"A quietly devastating play... Both a perceptive drama depicting the sudden fraying of a young marriage and a nail-biting psychological…
thriller... Belleville is among the most suspenseful plays I've seen in years." - Charles Isherwood, New York Times"Masterly... Among the new crop of young American playwrights, Herzog is in a class by herself." - Richard Zoglin, TimeAbby and Zack, young American newlyweds, have abandoned a comfortable postgraduate life in the states for Belleville, a bustling, bohemian, multicultural Parisian neighborhood. But as secrets both minor and monumental are revealed, their fraught relationship begins to unravel. Belleville examines the limits of trust and dependency in a world where love can turn pathological and our most intimate relationships may not be what they seem.AMY HERZOG's plays include 4,000 Miles (Pulitzer Prize finalist), After the Revolution and The Great God Pan. Ms. Herzog is the recipient of numerous awards, including the Whiting Writers' Award, an Obie Award and the Helen Merrill Award for Aspiring Playwrights.By Karl Knausgaard, Don Bartlett, Martin Aitken. 2018
The sixth and final book in Knausgaard's epic My Struggle cycle--the most talked about literary project of its time. The…
sprawling, intimate, and spectacularly unorthodox literary autobiography that unleashed a media frenzy upon its release in Norway, became a global publishing sensation, and sold millions of copies worldwide, now reaches its climactic conclusion. In My Struggle, Karl Ove Knausgaard examines with ruthless, unsparing rigour his life, his ambitions and frailties, his uncertainties and doubts, and his relationships with friends and exes, his wife and children, his mother and father. It is an opus in which life is described in all its nuances from moments of great drama to the most trivial everyday details. It is also a project that is full of risk, where the borders between private and public worlds cross, not without cost for the author himself and the people portrayed. The End, the sixth and final book, reflects back on the personal fallout from the earlier volumes, with Knausgaard facing growing literary acclaim and the often shattering repercussions that came with it. It is a book about literature itself and its relationship with reality, the capstone on a magnificent achievement. Translated from the Norwegian by superstar literary translators Don Bartlett and Martin Aitken.By Andrew Taylor. 1998
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the fourth instalment in the acclaimed Lydmouth seriesThe Korean war rumbles in the background throughout this novel as a reporter is found murdered at the Bathurst Arms, squatters are evicted from a military camp and there are new developments in the three-year-old hunt for a missing teenager. And in spite of all that's going on, Jill Francis, a local journalist, and DI Richard Thornhill find they can no longer resist their feelings for each other.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 2004
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the seventh instalment in the acclaimed Lydmouth seriesLove and need make unexpected bedfellows, and both are blind. As the grip of a long hard winter tightens on Lydmouth, a dead woman calls the dying in a seance behind net curtains. Two provincial newspapers are in the throes of a bitter circulation war. A lorry-driver broods, and an office boy loses his heart. Britain is basking in the warm glow of post-war tranquillity, but in the quiet town of Lydmouth, darker forces are at play. The rats are fed on bread and milk, a gentleman's yellow kid glove is mislaid on a train, and something disgusting is happening at Mr Prout's toyshop.Returning to a town shrouded in intrigue and suspicion, Jill Francis becomes acting editor of the Gazette. Meanwhile, there's no pleasure left in the life of Detective Chief Inspector Richard Thornhill. Only a corpse, a television set and the promise of trouble to come.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 1994
'Andrew Taylor is a master story-teller' Daily TelegraphFrom the No.1 bestselling author of The Ashes of London and Fire of…
Court, this is the first instalment in the acclaimed Lydmouth seriesWorkmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box - and in the box is the skeleton of a young baby. Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby's death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase ... 'The most under-rated crime writer in Britain today' Val McDermid'Captures perfectly the drab atmosphere and cloying morality of the 1950s . . . Taylor is an excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out 'Andrew Taylor is a master story-teller' Daily TelegraphBy Andrew Taylor. 2001
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the sixth instalment in the acclaimed Lydmouth seriesWhen the body of Rufus Moorcroft, a middle-aged widower with a distinguished war record, is found in his summerhouse, the verdict is suicide. But both reporter Jill Francis and her lover, Detective Richard Thornhill, approaching the case from different angles, discover there's more to it than that. The key to the mystery stretches back to a highly-charged summer before the war, and back to another death. A local asylum plays a part, as do a moderately famous artist and his wife; Superintendent Williamson, now retired and loathing it; Councillor Bernie Broadbent - a man with more pies than fingers to put in them; a Cambridge don; an aristocratic unmarried mother, now gleefully drawing her old-age pension; and - to Thornhill's surprise and growing horror - his own wife, Edith.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 2000
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the fifth instalment in the acclaimed Lydmouth seriesWhen Mattie Harris's body is found drowned in the river, everyone in Lydmouth knows something is wrong. Mattie wasn't a swimmer - it can't have been a simple accident. She was drunk on the last night of her life - could she have fallen in? Or was she pushed? Mattie was a waitress, of no importance at all, so when Lydmouth's most prominent citizens become very anxious to establish that her death was accidental, Jill Francis's suspicions become roused. In the meantime she is becoming ever closer to Inspector Richard Thornhill, and discovering that the living have as many secrets as the dead...'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 1997
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the third instalment in the acclaimed Lydmouth seriesAfter the coldest night of the year, they find the man's body. He is dangling from the Hanging Tree on the outskirts of a village near Lydmouth, with his trousers round his ankles. Is it suicide, murder, or accidental death resulting from some bizarre sexual practice?Journalist Jill Francis and Detective Inspector Thornhill become involved in the case in separate ways. Jill is also drawn unwillingly into the affairs of the small public school where the dead man taught. Meanwhile a Peeping Tom is preying upon Lydmouth; Jill has just moved into her own house and is afraid she is being watched. And there are more distractions, on a personal level, for policeman and reporter . . .'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 1995
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the second instalment in the acclaimed Lydmouth seriesWhen a spinster of the parish is found bludgeoned to death in St John's, and the church's most valuable possession, the Lydmouth chalice, is missing, the finger of suspicion points at the new vicar, who is already beset with problems.The glare of the police investigation reveals shabby secrets and private griefs. Jill Francis, struggling to find her feet in her new life, stumbles into the case at the beginning. But even a journalist cannot always watch from the sidelines. Soon she is inextricably involved in the Suttons' affairs. Despite the electric antagonism between her and Inspector Richard Thornhill, she has instincts that she can't ignore . . .'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Chochana Boukhobza. 2010
A leading Israeli musician and her protégé return to Jerusalem for three days to perform with the Philharmonic Orchestra. Both…
women - one a gifted young cellist, one a Holocaust survivor saved by her extraordinary musical talent - have been in America for some time, are quickly caught up in tangled threads from former lives. Elisheva is reunited with her godson, Daniel; Rachel must face both her distant father and Erytan, a former lover, whose lingering power over her now threatens all she has worked for. Elisheva is coaching Rachel for the solo performance, but something else has drawn her to Jerusalem. Another old friend has lured a Nazi eugenicist, the Butcher of Majdanek, to Israel from Venezuela. The Butcher performed torturous experiments on Elisheva, determining not only her fate but also that of her closest friends. On the third day of her stay, the day of the concert, she will take her revenge. Set in the late 1980s, The Third Day is a vivid portrait of life in Jerusalem and a sensitive meditation on the power of music and the sacrifices it demands. And at its heart is a gripping narrative of retribution that brings the novel's many moving strands towards a tense and shattering conclusion.By Harlan Coben. 2015
'The modern master of the hook and twist' DAN BROWN Adam Price has a lot to lose: a beautiful family,…
a big house, a good job - a perfect life.But then he meets a stranger in a bar and learns a devastating secret about his wife.With the mirage of perfection shattered, Adam finds himself caught up in something far darker than his wife's deception.And if he doesn't make the right moves, the conspiracy he's stumbled into will not only ruin lives - it will end them.Praise for Harlan Coben:'One of the all-time greats - pick up any one of his thrillers and you'll find a riveting, surprising story with a big, beating heart' GILLIAN FLYNN'With convincing characters and a strong emotional heart, you're effortlessly swept along to a tense and dramatic conclusion' SUNDAY MIRRORBy Tamara McKinley. 2013
If you love Lesley Pearse, you're sure to fall for Tamara McKinley. A tale of hardship, hidden identities and our…
shared struggle to survive. Becky Jackson's family has been managing the hospital in far-flung Morgan's Reach for three generations. When Becky's husband is tragically lost at war, she and her young son Danny must leave the city and return to her birthplace to start over. But for all its charm, Morgan's Reach is a divided community, where blood is thicker than water and grudges run deep. So when a mysterious stranger appears outside the town and Danny begins to act strangely, it is not only Becky's newfound stability that's threatened. And what of the fact that there's not been a drop of rain in over three years? The risk of wildfire looms large and the hospital is already pushed to breaking point. A single spark could level the area in minutes - burning away everything for which the town has worked so hard; exposing the secrets they've fought to keep so close.By Patrick Hamilton. 1929
The brilliantly tense play that became Hitchcock's masterpiece, starring James Stewart.Believing themselves to be intellectually superior to their contemporaries, flatmates…
Brandon and Philip murder their friend David Kentley purely to see if they can get away with it. They then throw a cocktail party, serving food from the top of the trunk where they have hidden David's body. Their guests include both David's father and fiancée, as well as college lecturer Rupert Cadell, who becomes increasingly suspicious as the evening wears on.By Megan Goldin. 2019
Welcome to the escape room. Your goal is simple. Get out alive.In the lucrative world of Wall Street finance, Vincent,…
Jules, Sylvie and Sam are the ultimate high-flyers. Ruthlessly ambitious, they make billion-dollar deals and live lives of outrageous luxury. Getting rich is all that matters, and they'll do anything to get ahead.When the four of them become trapped in an elevator escape room, things start to go horribly wrong. They have to put aside their fierce office rivalries and work together to solve the clues that will release them. But in the confines of the elevator the dark secrets of their team are laid bare. They are made to answer for profiting from a workplace where deception, intimidation and sexual harassment thrive.Tempers fray and the escape room's clues turn more and more ominous, leaving the four of them dangling on the precipice of disaster. If they want to survive, they'll have to solve one more final puzzle: which one of them is a killer?Praise for The Escape Room:"High wire tension from the first moment to the last. Four ruthless people locked in a deadly game where victory means survival. Gripping and unforgettable!" Harlan Coben"Fantastic. One of my favourite books of the year." Lee Child"Amazing...a thriller set in an elevator [that explores] the vast territory of people's worst natures. A nightmarish look inside ourselves. Simply riveting." Louise Penny"A sharp, slick, utterly engrossing thriller. This knockout debut hooked me from the first page and didn't let go." Cristina Alger, USA Today bestselling author of The Banker's Wife