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Showing 1 - 20 of 178 items
By Margriet Ruurs, Christine Wei. 2021
By Virginia Hamilton. 2000
By Don Beecher. 2012
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480-c. 1557)…
is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for 'mature readers' and seventeen proto-fairy tales. Nearly all of these stories, including classics such as 'Puss in Boots,' made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years.This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text.As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories.Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher's academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.By Alvin Schwartz. 1974
By Perdita Finn. 2017
Things have gone topsy-turvy at Ever After High! After Faybelle Thorn casts a spell on the midterm hexams, the students…
find themselves unhexpectedly inside the wrong storybooks! When Rosabella Beauty and Cedar Wood find themselves in Goldilocks and the Three Bears instead of their own fairytale storybooks, they realize the trouble has only just started. Someone has been blowing down houses-and the whole forest is starting to panic. Now it's up to Rosabella, Cedar, and the Three Bears to solve the mystery and get this storybook back on script!©2017 Mattel. All Rights Reserved.By Catherine J. Allen. 2011
Once there was a Quechua folktale. It begins with a trickster fox’s penis with a will of its own and…
ends with a daughter returning to parents who cannot recognize her until she recounts the uncanny adventures that have befallen her since she ran away from home. Following the strange twists and turnings of this tale, Catherine J. Allen weaves a narrative of Quechua storytelling and story listening that links these arts to others—fabric weaving, in particular—and thereby illuminates enduring Andean strategies for communicating deeply felt cultural values. In this masterful work of literary nonfiction, Allen draws out the connections between two prominent markers of ethnic identity in Andean nations—indigenous language and woven cloth—and makes a convincing case that the connection between language and cloth affects virtually all aspects of expressive culture, including the performing arts. As she explores how a skilled storyteller interweaves traditional tales and stock characters into new stories, just as a skilled weaver combines traditional motifs and colors into new patterns, she demonstrates how Andean storytelling and weaving both embody the same kinds of relationships, the same ideas about how opposites should meet up with each other. By identifying these pervasive patterns, Allen opens up the Quechua cultural world that unites story tellers and listeners, as listeners hear echoes and traces of other stories, layering over each other in a kind of aural palimpsest.By Demi. 1997
Long ago in India, there lived a raja who believed that he was wise and fair. But every year he…
kept nearly all the people's rice for himself. Then a village girl named Rani devises a clever plan, using the surprising power of doubling to win more than one billion grains of rice from the raja.By Ann Grifalconi, Nancy Raines Day. 1995
By Sue Harden. 1831
From the first colonization at Roanoke Island, the bizarre and inexplicable have shrouded the Tar Heel State. From history and…
legend, John Harden records ominous events that have shaped or colored state history.By Yoti Lane, Blair Hughes-Stanton. 2015
A delight for readers and listeners of all ages, these 25 traditional tales from West Africa were originally accompanied by…
music and dance. The stories' drama and folk wisdom shine through in these captivating retellings, which are illustrated by evocative woodcut illustrations. Age-old fables explain why the leopard has no friends, how wild dogs became domesticated, and why pigs dig. Adventure stories recount a prince's quest for an ancient ivory horn and the struggles of two sisters, separated by slavery, to reunite. All of the stories are populated by memorable characters such as a greedy monkey and ambitious ants, a pair of crickets forced to sing for their supper, a couple of fishermen who compete for a bride, and the Man-in-the-Moon and his wife.By Nadia R. Sirhan. 2014
By analysing the folk stories and personal narratives of a cross-section of Palestinians, Sirhan offers a detailed study of how…
content and sociolinguistic variables affect a narrator's language use and linguistic behaviour. This book will be of interest to anyone engaged with narrative discourse, gender discourse, Arabic studies and linguistics.By Anne Shelby. 2007
Combining traditional Appalachian folktale plots with a contemporary sensibility, writer and storyteller Anne Shelby creates fourteen lively, original stories of…
a funny, magical, yet familiar world.Many of the stories feature a girl named Molly Whuppie, who is clever, brave, and strong. Encountering witches, giants, an ogre who refuses to do housework, unwanted boyfriends, and all manner of conundrums, Molly manages to outwit them all with a potent combination of nerve, trickery, and plain luck. Also appearing in the stories are Molly's sisters Polly and Betts, the famous Appalachian hero Jack (Molly saves him a few times), and three cornbread-baking mice.These delightful and often surprising stories are sure to appeal to readers and listeners of all ages who enjoy an adventurous tale well told.By Marina Warner. 2011
Our foremost theorist of myth, fairytales, and folktales explores the magical realm of the imagination where carpets fly, objects speak,…
dreams reveal hidden truths, and genies grant prophetic wishes. Stranger Magic examines the wondrous tales of the Arabian Nights, their profound impact on the West, and the progressive exoticization of magic since the eighteenth century, when the first European translations appeared. The Nights seized European readers’ imaginations during the siècle des Lumières, inspiring imitations, spoofs, turqueries, extravaganzas, pantomimes, and mauresque tastes in dress and furniture. Writers from Voltaire to Goethe to Borges, filmmakers from Raoul Walsh on, and countless authors of children’s books have adapted its stories. What gives these tales their enduring power to bring pleasure to readers and audiences? Their appeal, Marina Warner suggests, lies in how the stories’ magic stimulates the creative activity of the imagination. Their popularity during the Enlightenment was no accident: dreams, projections, and fantasies are essential to making the leap beyond the frontiers of accepted knowledge into new scientific and literary spheres. The magical tradition, so long disavowed by Western rationality, underlies modernity’s most characteristic developments, including the charmed states of brand-name luxury goods, paper money, and psychoanalytic dream interpretation. In Warner’s hands, the Nights reveal the underappreciated cultural exchanges between East and West, Islam and Christianity, and cast light on the magical underpinnings of contemporary experience, where mythical principles, as distinct from religious belief, enjoy growing acceptance. These tales meet the need for enchantment, in the safe guise of oriental costume.By Martin Prechtel. 2002
Following the acclaimed Secrets of The Talking Jaguar and Long Life, Honey in the Heart, this is an expansive, lyrical…
novel in the tradition of indigenous oral storytelling. Based on the author's many years of living in a Guatemalan village, Stealing Benefacio's Roses interweaves dramatic recountings of village life and the political horrors of civil war with lyric retellings of sacred Mayan myths. The story shifts expertly from timeless, with archetypal characters like Raggedy Boy and the goddess known as the Water-Skirted Beauty, to timely in the book's striking first-person narrative set in the 1980s. Prechtel shows how ancient myths can become a part of life for everyone and help nurture spiritual survival in the modern world. Though it comes third in sequence with the author's other two books, Stealing Benefacio's Roses also stands on its own as a classic work of spiritual seeking and adventure.By Hans Christian Andersen, Maria Tatar, Julie K. Allen. 2008
A richly entertaining and informative collection of Hans Christian Andersen's stories, annotated by one of America's leading folklore scholars. In…
her most ambitious annotated work to date, Maria Tatar celebrates the stories told by Denmark's "perfect wizard" and re-envisions Hans Christian Andersen as a writer who casts his spell on both children and adults. Andersen's most beloved tales, such as "The Emperor's New Clothes," "The Ugly Duckling," and "The Little Mermaid," are now joined by "The Shadow" and "Story of a Mother," mature stories that reveal his literary range and depth. Tatar captures the tales' unrivaled dramatic and visual power, showing exactly how Andersen became one of the world's ten most translated authors, along with Shakespeare, Dickens, and Marx. Lushly illustrated with more than one hundred fifty rare images, many in full color, by artists such as Arthur Rackham and Edmund Dulac, The Annotated Hans Christian Andersen will captivate readers with annotations that explore the rich social and cultural dimensions of the nineteenth century and construct a compelling portrait of a writer whose stories still fascinate us today.By Daniel W. Patterson. 2000
On a wintry night in 1831, a man named Charlie Silver was murdered with an axe and his body burned…
in a cabin in the mountains of North Carolina. His young wife, Frankie Silver, was tried and hanged for the crime. In later years people claimed that a tree growing near the ruins of the old cabin was cursed--that anyone who climbed into it would be unable to get out. Daniel Patterson uses this "accurst" tree as a metaphor for the grip the story of the murder has had on the imaginations of the local community, the wider world, and the noted Appalachian traditional singer and storyteller Bobby McMillon.For nearly 170 years, the memory of Frankie Silver has been kept alive by a ballad and local legends and by the news accounts, fiction, plays, and other works they inspired. Weaving Bobby McMillon's personal story--how and why he became a taleteller and what this story means to him--into an investigation of the Silver murder, Patterson explores the genesis and uses of folklore and the interplay between folklore, social and personal history, law, and narrative as people and communities try to understand human character and fate.Bobby McMillon is a furniture and hospital worker in Lenoir, North Carolina, with deep roots in Appalachia and a lifelong passion for learning and performing traditional songs and tales. He has received a North Carolina Folk Heritage Award from the state's Arts Council and also the North Carolina Folklore Society's Brown-Hudson Folklore Award.By Angela Rodel, Georgi Gospodinov. 2011
"Georgi Gospodinov wants to blow your mind--or maybe just provide the ultimate bathroom reader. . . . The formal playfulness…
suggests Kundera with A.D.D. and potty jokes."--Ed Park, The Village VoiceA finalist for both the Strega Europeo and Gregor von Rezzori awards (and winner of every Bulgarian honor possible), The Physics of Sorrow reaffirms Georgi Gospodinov's place as one of Europe's most inventive and daring writers.Using the myth of the Minotaur as its organizing image, the narrator of Gospodinov's long-awaited novel constructs a labyrinth of stories about his family, jumping from era to era and viewpoint to viewpoint, exploring the mindset and trappings of Eastern Europeans. Incredibly moving--such as with the story of his grandfather accidentally being left behind at a mill--and extraordinarily funny--see the section on the awfulness of the question "how are you?"--Physics is a book that you can inhabit, tracing connections, following the narrator down various "side passages," getting pleasantly lost in the various stories and empathizing with the sorrowful, misunderstood Minotaur at the center of it all.The Physics of Sorrow will appeal to fans of Dave Eggers, Tom McCarthy, and Dubravka Ugresic for its unique structure, humanitarian concerns, and stunning storytelling.Georgi Gospodinov's Natural Novel was published by Dalkey Archive Press in 2005 and was praised by the New Yorker, New York Times, and several other prestigious review outlets.Angela Rodel won a PEN Translation Fund Grant in 2010 for Georgi Tenev's short story collection. She is one of the most prolific translators of Bulgarian literature working today and received an NEA Fellowship for her translation of Gospodinov's The Physics of Sorrow.By James M. Taggart. 1997
James Taggart contrasts how two men-a Spaniard and an Aztec-speaking Mexican-tell such tales as "The Bear's Son. " He explores…
how their stories present different ways of being a man in their respective cultures. He also focuses on how fathers reproduce different forms of masculinity in their sons, showing how fathers who care for their infant sons teach them a relational masculinity based on a connected view of human relationships.By Bruce Jackson. 2007
Making and experiencing stories, remembering and retelling them is something we all do. We tell stories over meals, at the…
water cooler, and to both friends and strangers. But how do stories work? What is it about telling and listening to stories that unites us? And, importantly, how do we change them-and how do they change us? InThe Story Is True, author, filmmaker, and photographer Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. He examines, as no one before has, how stories narrate and bring meaning to our lives, by describing and explaining how stories are made and used. The perspectives shared in this engaging book come from the tellers, writers, filmmakers, listeners, and watchers who create and consume stories. Jackson writes about his family and friends, acquaintances and experiences, focusing on more than a dozen personal stories, from oral histories, such as conversations the author had with poet Steven Spender, to public stories, such as what happened when Bob Dylan "went electric"at the 1965 Newport Folk Festival. Jackson also investigates how "words can kill," showing how diction can be an administrator of death, as in Nazi extermination camps. And finally, he considers the way lies come to resemble truth, showing how the stories we tell, whether true or not, resemble truth to the teller. Ultimately,The Story Is Trueis about the place of stories-fiction or real-and the impact they have on the lives of each one of us.By Miguel Coimbra, Graeme Davis. 2013
In the stories of the ancient Vikings, Thor is a warrior without equal, who wields his mighty hammer in battles…
against trolls, giants, and dragons. He is the god of storms and thunder, who rides to war in a chariot pulled by goats, and who is fated to fall in battle with the Midgard Serpent during Ragnarok, the end of all things. This book collects the greatest myths and legends of the thunder god, while also explaining their historical context and their place in the greater Norse mythology. It also covers the history of Thor as a legendary figure, how he was viewed by different cultures from the Romans to the Nazis, and how he endures today as a popular heroic figure.