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La cautiva/ El matadero
By Esteban Echeverría. 2018
Edición definitiva de dos textos fundacionales de la literatura argentina (El matadero es considerado el primer cuento argentino), con prólogo…
del escritor y crítico literario Martín Kohan, y nota preliminar a cargo de Alejandra Laera. «Ella va. Toda es oídos; / sobre salvajes dormidos / va pasando; escucha, mira, / se para, apenas respira, / y vuelve de nuevo a andar. / Ella marcha, y sus miradas / vagan en torno azoradas, / cual si creyesen ilusas / en las tinieblas confusas / mil espectros divisar.»La cautiva La cautiva y El matadero ocupan un lugar fundacional en la literatura argentina. Escritos por Esteban Echeverría a fines de la década de 1830, en ellos se diseña, respectivamente, el espacio del desierto inabarcable y el de la violencia política, dos motivos que recorren la poesía y la narrativa de todo el siglo XIX. La cautiva utiliza los recursos del Romanticismo para idealizar la civilización, corporizada en la protagonista, y demonizar al indio, haciendo de la frontera la cifra del encuentro con el Otro. En cambio, el lenguaje crudo de El matadero -publicado de manera póstuma y considerado con el tiempo el primer cuento argentino- pone en escena el enfrentamiento social y, con su crítica al rosismo, inaugura el uso político de la ficción. «Para Esteban Echeverría [...] la cultura popular adquiere ese doble signo: recelo ideológico y seducción estética. No obstante, en El matadero esta cuestión asume una inflexión particular; porque la cultura popular se despliega en él bajo su forma más crispada e intensa: la de la violencia.»Del prólogo de Martín KohanUna excursión a los indios ranqueles
By Lucio V. Mansilla. 2018
Edición definitiva del clásico de Lucio V. Mansilla, con prólogo de Alan Pauls y nota preliminar a cargo de Alejandra…
Laera. «Si me hubieran dicho que los indios me iban a enseñar a conocer la humanidad, una carcajada homérica habría sido mi contestación. Como Gulliver, en su viaje a Liliput, yo he visto al mundo tal cual es en mi viaje a los ranqueles.» Originariamente publicadas como folletín, en 1870, en el diario La Tribuna, las cartas que componen este libro son el particular relato de la expedición de Lucio V. Mansilla Tierra Adentro y de su encuentro con los indios ranqueles. Con una minuciosidad por momentos cercana a la obsesión, en ellas el autor toma nota de los detalles de la geografía pampeana y describe lúcidamente los hábitos, costumbres y comportamientos del mundo indígena, ese gran Otro de la literatura argentina. Una excursión a los indios ranqueles no solo es la historia del contacto entre dos culturas, sino un clásico que, escrito con anterioridad a la constitución del Estado, supo advertir en la nación todas sus fatales contradicciones. «Pero pronto el desierto empieza a poblarse, primero con los ranqueles, luego con lo que Mansilla hace con ellos, ve en ellos, piensa y escribe sobre ellos [...] forzado a menudo a constatar, no sin perplejidad, las diversas lecciones de civilización que los ranqueles tienen para dar a los cristianos».Alan PaulsThe Pleasant Nights - Volume 2
By Don Beecher. 2012
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480-c. 1557)…
is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for 'mature readers' and seventeen proto-fairy tales. Nearly all of these stories, including classics such as 'Puss in Boots,' made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years.This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text.As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories.Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher's academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.Stranger Magic: Charmed States and the Arabian Nights
By Marina Warner. 2011
Our foremost theorist of myth, fairytales, and folktales explores the magical realm of the imagination where carpets fly, objects speak,…
dreams reveal hidden truths, and genies grant prophetic wishes. Stranger Magic examines the wondrous tales of the Arabian Nights, their profound impact on the West, and the progressive exoticization of magic since the eighteenth century, when the first European translations appeared. The Nights seized European readers’ imaginations during the siècle des Lumières, inspiring imitations, spoofs, turqueries, extravaganzas, pantomimes, and mauresque tastes in dress and furniture. Writers from Voltaire to Goethe to Borges, filmmakers from Raoul Walsh on, and countless authors of children’s books have adapted its stories. What gives these tales their enduring power to bring pleasure to readers and audiences? Their appeal, Marina Warner suggests, lies in how the stories’ magic stimulates the creative activity of the imagination. Their popularity during the Enlightenment was no accident: dreams, projections, and fantasies are essential to making the leap beyond the frontiers of accepted knowledge into new scientific and literary spheres. The magical tradition, so long disavowed by Western rationality, underlies modernity’s most characteristic developments, including the charmed states of brand-name luxury goods, paper money, and psychoanalytic dream interpretation. In Warner’s hands, the Nights reveal the underappreciated cultural exchanges between East and West, Islam and Christianity, and cast light on the magical underpinnings of contemporary experience, where mythical principles, as distinct from religious belief, enjoy growing acceptance. These tales meet the need for enchantment, in the safe guise of oriental costume.Trimalchio: An Early Version of The Great Gatsby (The cambridge Edition Of The Works Of F. Scott Fitzgerald Ser.)
By F. Scott Fitzgerald. 1925
"Reading F. Scott Fitzgerald's Trimalchio, an early and complete version of The Great Gatsby, is like listening to a familiar…
musical composition played in a different key and with an alternate bridge passage... There is a tradition in Fitzgerald studies that The Great Gatsby became a masterpiece in revision. This judgment is correct. Fitzgerald improved the novel in galleys; The Great Gatsby is a better novel than Trimalchilo. But Trimalchilo is a remarkable achievement, and different enough from Gatsby to merit consideration on its own. Trimalchilois a direct and straightforward narration of the story of Jay Gatsby, NIck Carraway, Jordan Baker, Tom and Daisy Buchanan, and Myrtle and George Wilson. The handling of plot details is sure-handed; the writing is graceful and confident. Trimalchilowill provide readers with new understanding of F. Scott Fitzgerald's working methods, fresh insight into his characters, and renewed appreciation of his genius." From the introduction.The Annotated Hans Christian Andersen (The Annotated Books)
By Hans Christian Andersen, Maria Tatar, Julie K. Allen. 2008
A richly entertaining and informative collection of Hans Christian Andersen's stories, annotated by one of America's leading folklore scholars. In…
her most ambitious annotated work to date, Maria Tatar celebrates the stories told by Denmark's "perfect wizard" and re-envisions Hans Christian Andersen as a writer who casts his spell on both children and adults. Andersen's most beloved tales, such as "The Emperor's New Clothes," "The Ugly Duckling," and "The Little Mermaid," are now joined by "The Shadow" and "Story of a Mother," mature stories that reveal his literary range and depth. Tatar captures the tales' unrivaled dramatic and visual power, showing exactly how Andersen became one of the world's ten most translated authors, along with Shakespeare, Dickens, and Marx. Lushly illustrated with more than one hundred fifty rare images, many in full color, by artists such as Arthur Rackham and Edmund Dulac, The Annotated Hans Christian Andersen will captivate readers with annotations that explore the rich social and cultural dimensions of the nineteenth century and construct a compelling portrait of a writer whose stories still fascinate us today.The Bear and, His Sons: Masculinity in Spanish and Mexican Folktales
By James M. Taggart. 1997
James Taggart contrasts how two men-a Spaniard and an Aztec-speaking Mexican-tell such tales as "The Bear's Son. " He explores…
how their stories present different ways of being a man in their respective cultures. He also focuses on how fathers reproduce different forms of masculinity in their sons, showing how fathers who care for their infant sons teach them a relational masculinity based on a connected view of human relationships.The Five: A Novel of Jewish Life in Turn-of-the-Century Odessa
By Michael R. Katz, Michael Stanislawski, Vladimir Jabotinsky. 2005
"The beginning of this tale of bygone days in Odessa dates to the dawn of the twentieth century. At that…
time we used to refer to the first years of this period as the 'springtime,' meaning a social and political awakening. For my generation, these years also coincided with our own personal springtime, in the sense that we were all in our youthful twenties. And both of these springtimes, as well as the image of our carefree Black Sea capital with acacias growing along its steep banks, are interwoven in my memory with the story of one family in which there were five children: Marusya, Marko, Lika, Serezha, and Torik."--from The Five The Five is an captivating novel of the decadent fin-de-siècle written by Vladimir Jabotinsky (1880-1940), a controversial leader in the Zionist movement whose literary talents, until now, have largely gone unrecognized by Western readers. The author deftly paints a picture of Russia's decay and decline--a world permeated with sexuality, mystery, and intrigue. Michael R. Katz has crafted the first English-language translation of this important novel, which was written in Russian in 1935 and published a year later in Paris under the title Pyatero.The book is Jabotinsky's elegaic paean to the Odessa of his youth, a place that no longer exists. It tells the story of an upper-middle-class Jewish family, the Milgroms, at the turn of the century. It follows five siblings as they change, mature, and come to accept their places in a rapidly evolving world. With flashes of humor, Jabotinsky captures the ferment of the time as reflected in political, social, artistic, and spiritual developments. He depicts with nostalgia the excitement of life in old Odessa and comments poignantly on the failure of the dream of Jewish assimilation within the Russian empire.What Is to Be Done?
By Michael R. Katz, Nikolai Chernyshevsky, William G. Wagner. 1989
"No work in modern literature, with the possible exception of Uncle Tom's Cabin, can compete with What Is to Be…
Done? in its effect on human lives and its power to make history. For Chernyshevsky's novel, far more than Marx's Capital, supplied the emotional dynamic that eventually went to make the Russian Revolution."--Joseph Frank, The Southern ReviewAlmost from the moment of its publication in 1863, Nikolai Chernyshevsky's novel, What Is to Be Done?, had a profound impact on the course of Russian literature and politics. The idealized image it offered of dedicated and self-sacrificing intellectuals transforming society by means of scientific knowledge served as a model of inspiration for Russia's revolutionary intelligentsia. On the one hand, the novel's condemnation of moderate reform helped to bring about the irrevocable break between radical intellectuals and liberal reformers; on the other, Chernyshevsky's socialist vision polarized conservatives' opposition to institutional reform. Lenin himself called Chernyshevsky "the greatest and most talented representative of socialism before Marx"; and the controversy surrounding What Is to Be Done? exacerbated the conflicts that eventually led to the Russian Revolution.Michael R. Katz's readable and compelling translation is now the definitive unabridged English-language version, brilliantly capturing the extraordinary qualities of the original. William G. Wagner has provided full annotations to Chernyshevsky's allusions and references and to the, sources of his ideas, and has appended a critical bibliography. An introduction by Katz and Wagner places the novel in the context of nineteenth-century Russian social, political, and intellectual history and literature, and explores its importance for several generations of Russian radicals.The Captain's Daughter: And Other Stories
By Alexander Pushkin, Robert Chandler, Elizabeth Chandler. 1957
Famous for his enormously influential poetry and plays, Alexander Pushkin is also beloved for his short stories. This collection showcases…
his tremendous range, which enabled him to portray the Russian people through romance, drama, and satire. The sparkling humor of the five "Tales of Belkin" contrasts with a dark fable of gambling and obsessive greed in "The Queen of Spades" and the masterful historical novella, "The Captain's Daughter," a story of love and betrayal set during a rebellion in the time of Catherine the Great.Dancing Lessons for the Advanced in Age
By Michael Henry Heim, Bohumil Hrabal, Adam Thirlwell. 1964
Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal's rambling, rambunctious masterpiece Dancing Lessons for the Advanced in…
Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life--or at least unburdens himself of a lifetime's worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like "in the days of the monarchy" and how they've changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague's pubs and football stadiums, developed a unique method which he termed "palavering," whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.Clementine Classics: Sister Carrie by Theodore Dreiser
By Theodore Dreiser, Clementine The Hedgehog. 2013
Sometimes reading the classics is a chore, but not so with the snarky annotations by Clementine the Hedgehog. Having made…
her debut as a weekly book reviewer of note on Tumblr in 2012, Clem now takes on Sister Carrie by Theodore Dreiser. On each page, she inserts her keen insights, dark sense of humor, and cut-the-crap commentary, crafting a 21st-century literary criticism for distraction addicts everywhere. "This is obviously my favorite review to date, as it was WRITTEN BY A HEDGEHOG, and COMES WITH A HEDGEHOG GIF."-Emma Straub"Tumblr book review series of the year."-Rachel Fershleiser, head of Tumblr literary outreachClementine Classics, a new series from Black Balloon Publishing, gives classic works of literature the contemporary annotations they deserve. Obsessed, possessed, and thoroughly distressed by the originals, today's writers riff, rant, praise, and flay these old books, giving them new life. The series' beautifully designed e-books are both an act of sincere literary criticism and a new, composite form of humor writing.Vida cotidiana y crónicas viajeras
By Guillermo Prieto. 2018
"Será mentira, yo no lo niego, pero invención no; porque como me lo contaron os lo cuento." Guillermo Prieto fue…
un ameno y prolífico escritor que exploró diversos géneros: cuadros de costumbres, crónica, poesía, teatro, historia y memorias. El lector encontrará en estas páginas una rica selección de crónicas de viajes que Prieto realizó por distintos puntos de la República Mexicana como Cuernavaca, Querétaro, Veracruz y Zacatecas, sin dejar de lado sus descripciones de Nueva York, cargadas de sentimientos patrióticos, retrato de distintos momentos del siglo XIX. En ellos es posible conocer tradiciones, costumbres, diversiones y gastronomía, que hoy son testimonios históricos nacionales. Esta edición estuvo a cargo de la doctora Lilia Vieyra Sánchez, académica del Instituto de Investigaciones Bibliográficas e historiadora experta en hemerografía del siglo XIX, quienrecientemente dio a conocer los "San Lunes de Fidel" y el "Cuchicheo semanario", 21 cuadros de costumbres y 15 crónicas, publicadas en La Colonia Española, que habían quedado fuera de las obras reunidas en 32 tomos de Guillermo Prieto. Edición de LILIA VIEYRA SÁNCHEZClementine Classics: Sister Carrie by Theodore Dreiser
By Clementine The Hedgehog. 2013
Sometimes reading the classics is a chore, but not so with the snarky annotations by Clementine the Hedgehog. Having made…
her debut as a weekly book reviewer of note on Tumblr in 2012, Clem now takes on Sister Carrie by Theodore Dreiser. On each page, she inserts her keen insights, dark sense of humor, and cut-the-crap commentary, crafting a 21st-century literary criticism for distraction addicts everywhere. "This is obviously my favorite review to date, as it was WRITTEN BY A HEDGEHOG, and COMES WITH A HEDGEHOG GIF."-Emma Straub"Tumblr book review series of the year."-Rachel Fershleiser, head of Tumblr literary outreachClementine Classics, a new series from Black Balloon Publishing, gives classic works of literature the contemporary annotations they deserve. Obsessed, possessed, and thoroughly distressed by the originals, today's writers riff, rant, praise, and flay these old books, giving them new life. The series' beautifully designed e-books are both an act of sincere literary criticism and a new, composite form of humor writing.Dancing Lessons for the Advanced in Age
By Michael Heim, Bohumil Hrabal, Adam Thirlwell. 1964
Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal's rambling, rambunctious masterpiece Dancing Lessons for the Advanced in…
Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life--or at least unburdens himself of a lifetime's worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like "in the days of the monarchy" and how they've changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague's pubs and football stadiums, developed a unique method which he termed "palavering," whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.The Five: A Novel of Jewish Life in Turn-of-the-Century Odessa
By Michael R. Katz, Michael Stanislawski, Vladimir Jabotinsky. 2005
"The beginning of this tale of bygone days in Odessa dates to the dawn of the twentieth century. At that…
time we used to refer to the first years of this period as the 'springtime,' meaning a social and political awakening. For my generation, these years also coincided with our own personal springtime, in the sense that we were all in our youthful twenties. And both of these springtimes, as well as the image of our carefree Black Sea capital with acacias growing along its steep banks, are interwoven in my memory with the story of one family in which there were five children: Marusya, Marko, Lika, Serezha, and Torik."--from The Five The Five is an captivating novel of the decadent fin-de-siècle written by Vladimir Jabotinsky (1880-1940), a controversial leader in the Zionist movement whose literary talents, until now, have largely gone unrecognized by Western readers. The author deftly paints a picture of Russia's decay and decline--a world permeated with sexuality, mystery, and intrigue. Michael R. Katz has crafted the first English-language translation of this important novel, which was written in Russian in 1935 and published a year later in Paris under the title Pyatero.The book is Jabotinsky's elegaic paean to the Odessa of his youth, a place that no longer exists. It tells the story of an upper-middle-class Jewish family, the Milgroms, at the turn of the century. It follows five siblings as they change, mature, and come to accept their places in a rapidly evolving world. With flashes of humor, Jabotinsky captures the ferment of the time as reflected in political, social, artistic, and spiritual developments. He depicts with nostalgia the excitement of life in old Odessa and comments poignantly on the failure of the dream of Jewish assimilation within the Russian empire.The Mysterious Island: The Secret Of The Island (Early Classics of Science Fiction)
By Jules Verne. 2001
At a time when Verne is making a comeback in the US as a mainstream literary figure, Wesleyan is pleased…
to publish a new translation of one of his best-known novels, The Mysterious Island. Although several editions under the same title are in print, most reproduce a bowdlerized nineteenth-century translation which changes the names of the characters, omits several important scenes, and ideologically censors Verne's original text.The Mysterious Island was published in 1874, and it is one of Verne's longest novels. The plot depicts a group of men who have become castaways stranded on an island in the Pacific during the American Civil War. The novel describes their attempts not only to survive but also, with the aid of the scientific and technological know-how, to rebuild their world from the meager resources of the island. At the end, however, it is realized that Captain Nemo, from Twenty Thousand Leagues Under the Sea, has secretly been helping the settlers. A marvelous adventure story, The Mysterious Island is also notable for its modern retelling of the utopian deserted-island myth, with repeated echoes of Robinson Crusoe and the Swiss Family Robinson. This Wesleyan edition features notes, appendices and an introduction by Verne scholar William Butcher, as well as reproductions of the illustrations from the original French edition.Myth and Fairy Tale in Contemporary Women’s Fiction
By Susan Sellers. 2001
Woman as gorgon, woman as temptress: the classical and biblical mythology which has dominated Western thinking defines women in a…
variety of patriarchally encoded roles. This study addresses the surprising persistence of mythical influence in contemporary fiction. Opening with the question 'what is myth?', the first section provides a wide-ranging review of mythography. It traces how myths have been perceived and interpreted by such commentators as Sigmund Freud, Carl Jung, Bruno Bettelheim, Roland Barthes, Jack Zipes and Marina Warner. This leads to an examination of the role that mythic narrative plays in social and self formation, drawing on the literary, feminist and psychoanalytic theories of Julia Kristeva, Luce Irigaray, Helene Cixous and Judith Butler to delineate the ways in which women's mythos can transcend the limitations of logos and give rise to potent new models for individual and cultural regeneration. In this light, Susan Sellers offers challenging new readings of a wide range of contemporary women's fiction, including works by A. S. Byatt, Angela Carter, Anne Rice, Michele Roberts, Emma Tennant and Fay Weldon. Topics explored include fairy tale as erotic fiction, new religious writing, vampires and gender-bending, mythic mothers, genre fiction, the still-persuasive paradigm of feminine beauty, and the radical potential of comedy.A blockbuster illustrated book that captures what Americans love to read, The Great American Read: The Book of Books is…
the gorgeously-produced companion book to PBS's ambitious summer 2018 series. What are America's best-loved novels? PBS will launch The Great American Read series with a 2-hour special in May 2018 revealing America's 100 best-loved novels, determined by a rigorous national survey. Subsequent episodes will air in September and October. Celebrities and everyday Americans will champion their favorite novel and in the finale in late October, America's #1 best-loved novel will be revealed. The Great American Read: The Book of Books will present all 100 novels with fascinating information about each book, author profiles, a snapshot of the novel's social relevance, film or television adaptations, other books and writings by the author, and little-known facts. Also included are themed articles about banned books, the most influential book illustrators, reading recommendations, the best first-lines in literature, and more. Beautifully designed with rare images of the original manuscripts, first-edition covers, rejection letters, and other ephemera, The Great American Read: The Book of Books is a must-have book for all booklovers.Teaching Fairy Tales (Series in Fairy-Tale Studies)
By Gioia Timpanelli, Cristina Mazzoni, Allison Stedman, Ann Schmiesing, Jennifer Schacker, Prof. Nancy L. Canepa, Prof. Jack Zipes, Dean Donald Haase, Lewis C. Seifert, Prof. Anne E. Duggan, Professor Maria Nikolajeva, Prof. Cristina Bacchilega, Associate Professor Christine A. Jones, Julie L. Koehler, Kay Stone, Prof. Maria Tatar, Prof. Victoria Somoff, Prof. Gina Miele, Prof. Linda Kraus Worley, Prof. Faith E. Beasley, Prof. Charlotte Trinquet du Lys, Prof. Benjamin Balak, Prof. Suzanne Magnanini, Maria Kaliambou, Prof. Elio Brancaforte, Prof. William Moebius, Prof. Graham Anderson. 2019
Teaching Fairy Tales edited by Nancy L. Canepa brings together scholars who have contributed to the field of fairy-tale studies…
since its origins. This collection offers information on materials, critical approaches and ideas, and pedagogical resources for the teaching of fairy tales in one comprehensive source that will further help bring fairy-tale studies into the academic mainstream. The volume begins by posing some of the big questions that stand at the forefront of fairy-tale studies: How should we define the fairy tale? What is the "classic" fairy tale? Does it make sense to talk about a fairy-tale canon? The first chapter includes close readings of tales and their variants, in order to show how fairy tales aren’t simple, moralizing, and/or static narratives. The second chapter focuses on essential moments and documents in fairy-tale history, investigating how we gain unique perspectives on cultural history through reading fairy tales. Contributors to chapter 3 argue that encouraging students to approach fairy tales critically, either through well-established lenses or newer ways of thinking, enables them to engage actively with material that can otherwise seem over-familiar. Chapter 4 makes a case for using fairy tales to help students learn a foreign language. Teaching Fairy Tales also includes authors’ experiences of successful hands-on classroom activities with fairy tales, syllabi samples from a range of courses, and testimonies from storytellers that inspire students to reflect on the construction and transmission of narrative by becoming tale-tellers themselves. Teaching Fairy Tales crosses disciplinary, historical, and national boundaries to consider the fairy-tale corpus integrally and from a variety of perspectives. Scholars from many different academic areas will use this volume to explore and implement new aspects of the field of fairy-tale studies in their teaching and research.