Title search results
Showing 1 - 5 of 5 items
DAISY audio (CD), DAISY audio (Direct to player), DAISY audio (Zip)
Customs and cultures, Journals and memoirs, Social issues
Human-narrated audio
An extraordinary account of survival in Syria's most notorious military prisons that is written with "brutal clarity — and yet,…
there is a poetic quality to the telling." — Frances Itani, award-winning author of Deafening and Remembering the Bones Jamal Saeed arrived as a refugee in Canada in 2016. In his native Syria, as a young man, his writing pushed both social and political norms. For this reason, as well as his opposition to the regimes of the al-Assads, he was imprisoned on three occasions for a total of 12 years. In each instance, he was held without formal charge and without judicial process. My Road from Damascus not only tells the story of Saeed's severe years in Syria's most notorious military prisons but also his life during the country's dramatic changes. Saeed chronicles modern Syria from the 1950s right up to his escape to Canada in 2016, recounting its descent from a country of potential to a pawn of cynical and corrupt powers. He paints a picture of village life, his youthful love affairs, his rebellion as a young Marxist, and his evolution into a free thinker, living in hiding as a teenager for 30 months while being hunted by the secret police. He recalls his brutal prison years, his final release, and his family's harrowing escape to Canada. While many prison memoirs focus on the cruelty of incarceration, My Road from Damascus offers a tapestry of Saeed's whole life. It looks squarely at brutality but also at beauty and poetry, hope and love
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Journals and memoirs, Essays, Anthologies, Criticism, Social issues
Synthetic audio, Automated braille
A journalist and folklorist explores the truths that underlie the stories we imagine—and reveals the magic in the everyday. “I’ve…
always felt that the term fairy tale doesn’t quite capture the essence of these stories,” writes Emily Urquhart. “I prefer the term wonder tale, which is Irish in origin, for its suggestion of awe coupled with narrative. In a way, this is most of our stories.” In this startlingly original essay collection, Urquhart reveals the truths that underlie our imaginings: what we see in our heads when we read, how the sight of a ghost can heal, how the entrance to the underworld can be glimpsed in an oil painting or a winter storm—or the onset of a loved one’s dementia. In essays on death and dying, pregnancy and prenatal genetics, radioactivity, chimeras, cottagers, and plague, Ordinary Wonder Tales reveals the essential truth: if you let yourself look closely, there is magic in the everyday.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Indigenous peoples, Indigenous peoples biography, Indigenous peoples history, Social issues
Synthetic audio, Automated braille
Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written…
by an award-winning Gitxsan journalist who survived life on the streets against all odds. As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued. Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver's Downtown Eastside, and, later on, Northern BC's Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way. "She could have been me," Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Biography, Politics and government, General non-fiction
Synthetic audio, Automated braille
One of The Millions&’ &“Most Anticipated Books of 2023One of The New York Times&’ &“19 Works of Nonfiction to Read…
This Spring&”A dazzlingly inventive, deeply moving, intellectually bracing exploration of pain and beauty, private memory and public monument, art and complexity in contemporary Black life.&“I wanted to write about silences and terror and acts that hover over generations, over centuries. I began by writing about my mother and grandmother.&” —from &“Note 18&” in Ordinary NotesA singular achievement, Ordinary Notes explores with immense care profound questions about loss, and the shapes of Black life that emerge in the wake. In a series of 248 brief and urgent notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present-day realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. Through the striking images and words in these pages, themes and tones echo: sometimes about life, art, language, beauty, memory; sometimes about history, photography, and literature—but always attending, with exquisite care, to the ordinary-extraordinary dimensions of Black life. At the heart of Ordinary Notes is the indelible presence of the author&’s mother, Ida Wright Sharpe. &“I learned to see in my mother&’s house,&” writes Sharpe. &“I learned how not to see in my mother&’s house . . . My mother gifted me a love of beauty, a love of words.&” Using these and other gifts and ways of seeing, Sharpe steadily summons a chorus of voices and experiences to become present on the page. She articulates and follows an aesthetic of "beauty as a method,&” collects entries from a community of thinkers towards a &“Dictionary of Untranslatable Blackness,&” and rigorously examines sites of memory and memorial. And in the process, she forges a new literary form, as multivalent as the ways of Black being it traces.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Nature, Politics and government, Science and technology
Synthetic audio, Automated braille
#1 NATIONAL BESTSELLERWINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION • FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR…
NONFICTION • FINALIST FOR THE NATIONAL BOOK AWARD IN NONFICTION • ONE OF THE NEW YORK TIMES&’ TOP TEN BOOKS OF THE YEAR • A stunning account of the colossal wildfire at Fort McMurray, and a panoramic exploration of the rapidly changing relationship between fire and humankind from the award-winning, best-selling author of The Tiger and The Golden Spruce.Named a Best Book of the Year by The Guardian • TIME • The Globe and Mail • The New Yorker • Financial Times • CBC • Smithsonian • Air Mail Weekly • Slate • NPR • Toronto Star • The Washington Post • The Times • Orion MagazineIn May 2016, Fort McMurray, the hub of Canada's petroleum industry and America's biggest foreign supplier, was overrun by wildfire. The multi-billion-dollar disaster melted vehicles, turned entire neighborhoods into firebombs, and drove 88,000 people from their homes in a single afternoon. Through the lens of this apocalyptic conflagration—the wildfire equivalent of Hurricane Katrina—John Vaillant warns that this was not a unique event but a shocking preview of what we must prepare for in a hotter, more flammable world. For hundreds of millennia, fire has been a partner in our evolution, shaping culture, civilization, and, very likely, our brains. Fire has enabled us to cook our food, defend and heat our homes, and power the machines that drive our titanic economy. Yet this volatile energy source has always threatened to elude our control, and in our new age of intensifying climate change, we are seeing its destructive power unleashed in previously unimaginable ways. With masterly prose and a cinematic eye, Vaillant takes us on a riveting journey through the intertwined histories of North America's oil industry and the birth of climate science, to the unprecedented devastation wrought by modern forest fires, and into lives forever changed by these disasters. John Vaillant's urgent work is a book for—and from—our new century of fire, which has only just begun.